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Cultural landscape reconstruction :The alcazaba of the Alhambra in Granada, Spain (Islam).

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Cultural landscape reconstruction :
其他題名:	The alcazaba of the Alhambra in Granada, Spain (Islam).
作者:	Isaac, John H.
面頁冊數:	98 p.
附註:	Major Professor: Emanuel Carter.
附註:	Source: Masters Abstracts International, Volume: 35-04, page: 0929.
Contained By:	Masters Abstracts International35-04.
標題:	Religion, History of.
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1384226
ISBN:	0591354373

Cultural landscape reconstruction :The alcazaba of the Alhambra in Granada, Spain (Islam).
Isaac, John H.

Cultural landscape reconstruction :The alcazaba of the Alhambra in Granada, Spain (Islam).[electronic resource] - 98 p.

Major Professor: Emanuel Carter.

Thesis (M.L.A.)--State University of New York College of Environmental Science and Forestry, 1997.

A broad concept must be considered, which is not inherent in the form, function, or vocabulary that has been used. Rather it is associated with a complex relationship amongst these three elements.

ISBN: 0591354373Subjects--Topical Terms:

212706
Religion, History of.

Cultural landscape reconstruction :The alcazaba of the Alhambra in Granada, Spain (Islam).
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520 # $a A broad concept must be considered, which is not inherent in the form, function, or vocabulary that has been used. Rather it is associated with a complex relationship amongst these three elements.
520 # $a Instead of being a simple description and analysis of the traditional Islamic city, this study (as part of a long tradition of continuous reinterpretation of the traditional values and design language of Andalusian culture) uses experiential and bibliographic research, speculative reconstruction and referential design as methods of engaging meaning in urban and architectural forms in Granada.
520 # $a The forms, must symbolize something deeply rooted within the Muslim community which must be accepted as a substantial element of its existence and religious purposes, that focuses more on the relationship between man and form, rather than the relationships among the forms themselves. To accept that this relationship takes priority over all others, is to accept that all traditional Islamic forms are interpretations of past experiences.
520 # $a To understand the meaning of the Islamic forms, it is essential to relate them to the time, space and their specific historical context. The forms themselves, could be considered as neutral elements or as simple technical devices of construction and decoration, unless they acquire a motif that gives them a meaning.
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