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Heroism and mythopoesis :Values of the futurist art-life (Italian text, F. T. Marinetti)

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Heroism and mythopoesis :
其他題名:	Values of the futurist art-life (Italian text, F. T. Marinetti)
作者:	Fabbri, Amerigo.
面頁冊數:	272 p.
附註:	Director: Paolo Valesio.
附註:	Source: Dissertation Abstracts International, Volume: 65-03, Section: A, page: 0921.
Contained By:	Dissertation Abstracts International65-03A.
標題:	Literature, Comparative.
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3125189
ISBN:	0496724797

Heroism and mythopoesis :Values of the futurist art-life (Italian text, F. T. Marinetti)
Fabbri, Amerigo.

Heroism and mythopoesis :Values of the futurist art-life (Italian text, F. T. Marinetti) [electronic resource] - 272 p.

Director: Paolo Valesio.

Thesis (Ph.D.)--Yale University, 2004.

Heroism and Mythopoesis proposes a systematic reading of the transformation of the creative spirit of Futurism from a violent heroic subjectivism to a mythopoetic tragic objectivism. Such a reading presents itself as an synthesis, both critical-aesthetic and spiritual, of the whole movement, and offers at the same time a study entirely dedicated to the ontology of the values inherent in Futurist Art-Life and in the mysticism of its intellectual and artistic action.

ISBN: 0496724797Subjects--Topical Terms:

178247
Literature, Comparative.

Heroism and mythopoesis :Values of the futurist art-life (Italian text, F. T. Marinetti)
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245 1 0 $a Heroism and mythopoesis : $b Values of the futurist art-life (Italian text, F. T. Marinetti) $h [electronic resource]
300 $a 272 p.
500 $a Director: Paolo Valesio.
500 $a Source: Dissertation Abstracts International, Volume: 65-03, Section: A, page: 0921.
502 $a Thesis (Ph.D.)--Yale University, 2004.
520 # $a Heroism and Mythopoesis proposes a systematic reading of the transformation of the creative spirit of Futurism from a violent heroic subjectivism to a mythopoetic tragic objectivism. Such a reading presents itself as an synthesis, both critical-aesthetic and spiritual, of the whole movement, and offers at the same time a study entirely dedicated to the ontology of the values inherent in Futurist Art-Life and in the mysticism of its intellectual and artistic action.
520 # $a The last part, finally, constitutes the documentary nucleus, and presents the two unpublished texts introduced in the preceding section, giving them their own critical edition.
520 # $a The revolutionary program of Marinetti's Futurist experience, conceived with the will to renew human sensitivity, was transformed progressively into the sign of the Ideal, finding in it the moral force for the extreme spiritual invocations of the last texts.
520 # $a The second part of the essay takes into account three distinct and complementary aspects of the futurist creator spirit: the interview with Luce Marinetti, his third daughter; a critical analysis of the last Futurist poetic manifesto; and that of the unknown "aero-novel" written by Marinetti. The examination of such aspects---with particular reference to the last period of Marinettian production---will furnish the conceptual exemplification of the mythopoetic objectivism identified and discussed in the first part of the essay.
520 # $a The thesis is divided into three parts. The first part constitutes the theoretical basis and discusses the aesthetic and social reasons for the gradual evolution of Futurism from heroism to mythopoesis. The "noumenal" values of Futurist ideology with its intent to recodify them in the space of the relation between art and life, are placed under analysis. The last, life, is conceived as a complex and symphonic unity of a renewal of human sensitivity at the beginning of the twentieth century. The reflections on Futurism and its history are distinguished by two key aspects: (1) the methodical study of its intent---in other words the invention of new plastic values of artistic representation. These lead to two complementary definitions of Futurism: the first, as an aesthetic conception of life founded on the principle of pleasure; the second, as a way for man to exit a state of aesthetic immaturity; (2) the study of action ---in other words the codification of expressive forms that semantically reproduce the intent in an artistic process. The action produces this effect through reading the texts of Marinetti, in which is seen the slow but gradual process from futurist thinking towards an objective transfiguration of the poetic message.
590 $a School code: 0265.
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650 # 0 $a Literature, Romance. $3 212836
650 # 0 $a Literature, Modern. $3 180518
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