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Romantic collaboration: Familial aut...
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Krawczyk, Scott T.
Romantic collaboration: Familial authorship from Barbauld to Shelley (Anna Barbauld, Percy Bysshe Shelley, Mary Shelley).
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Romantic collaboration: Familial authorship from Barbauld to Shelley (Anna Barbauld, Percy Bysshe Shelley, Mary Shelley).
作者:
Krawczyk, Scott T.
面頁冊數:
328 p.
附註:
Adviser: Stuart Curran.
附註:
Source: Dissertation Abstracts International, Volume: 65-06, Section: A, page: 2212.
Contained By:
Dissertation Abstracts International65-06A.
標題:
Literature, English.
電子資源:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3138040
ISBN:
0496852108
Romantic collaboration: Familial authorship from Barbauld to Shelley (Anna Barbauld, Percy Bysshe Shelley, Mary Shelley).
Krawczyk, Scott T.
Romantic collaboration: Familial authorship from Barbauld to Shelley (Anna Barbauld, Percy Bysshe Shelley, Mary Shelley).
- 328 p.
Adviser: Stuart Curran.
Thesis (Ph.D.)--University of Pennsylvania, 2004.
Chapter 1 establishes the Aikins of Warrington as England's first literary family and proceeds to demonstrate how John Aikin and Anna Letitia Barbauld (nee Aikin) developed a writing partnership whose Dissenting politics emerged in what I call a "collaborative consciousness" aimed at political and social reform. The Aikin-Barbauld model of collaborative authorship provides a context in which to understand the aspirations of other writers such as Dorothy and William Wordsworth. Through examples like that of Aikin and Barbauld this inquiry exposes the contrast between writing attuned to the literary marketplace and that primarily influenced by, and therefore constitutive of, affective bonds. Chapter 2 demonstrates the creative effects of such intimate bonds by following the Wordsworths during a particularly fruitful year, 1802; I argue that Dorothy Wordsworth had a much more active role in the conceptualization, revision, and indeed writing of Wordsworth's poems than has heretofore been conceived.
ISBN: 0496852108Subjects--Topical Terms:
212435
Literature, English.
Romantic collaboration: Familial authorship from Barbauld to Shelley (Anna Barbauld, Percy Bysshe Shelley, Mary Shelley).
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Romantic collaboration: Familial authorship from Barbauld to Shelley (Anna Barbauld, Percy Bysshe Shelley, Mary Shelley).
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328 p.
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Adviser: Stuart Curran.
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Source: Dissertation Abstracts International, Volume: 65-06, Section: A, page: 2212.
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Thesis (Ph.D.)--University of Pennsylvania, 2004.
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Chapter 1 establishes the Aikins of Warrington as England's first literary family and proceeds to demonstrate how John Aikin and Anna Letitia Barbauld (nee Aikin) developed a writing partnership whose Dissenting politics emerged in what I call a "collaborative consciousness" aimed at political and social reform. The Aikin-Barbauld model of collaborative authorship provides a context in which to understand the aspirations of other writers such as Dorothy and William Wordsworth. Through examples like that of Aikin and Barbauld this inquiry exposes the contrast between writing attuned to the literary marketplace and that primarily influenced by, and therefore constitutive of, affective bonds. Chapter 2 demonstrates the creative effects of such intimate bonds by following the Wordsworths during a particularly fruitful year, 1802; I argue that Dorothy Wordsworth had a much more active role in the conceptualization, revision, and indeed writing of Wordsworth's poems than has heretofore been conceived.
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Moving from relationships inside the household to those of the family as a whole, Chapter 3 develops a term from Naomi Tadmor to elucidate the "incorporation" of the literary family: the establishment of kinship networks that supported literary production. This study concludes by considering literary families from an inter-generational perspective. The Shelleys represent a literary partnership influenced by what I call the "genius familiae"---the spirit of the (literary) family---that emerges throughout their writing and extends the Godwin-Wollstonecraft legacy. Chapter 4 contrasts the Shelleys' model of inter-generational continuity with the antagonism exhibited by early Romantics, especially Southey, Coleridge, and Lamb, toward the previous generation as represented by the Aikin family and Anna Barbauld.
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This dissertation proceeds from the realization that familial models of cooperative authorship dominated collaborative writing from 1770--1820 Twin influences enabled the emergence of such models of collaborative authorship: the rise of the family as affective unit and the Dissenting model of domestic education. Customarily received as Romanticism's primary model of collaboration, the competitive example of Wordsworth and Coleridge finds itself displaced to the periphery by familial models of authorship, which practiced far greater egalitarianism.
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