語系:
繁體中文
English
說明(常見問題)
圖資館首頁
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
Cross-gender Shakespeare and English...
~
Klett, Elizabeth.
Cross-gender Shakespeare and English national identitywearing the codpiece /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Cross-gender Shakespeare and English national identityElizabeth Klett.
其他題名:
wearing the codpiece /
作者:
Klett, Elizabeth.
出版者:
New York, NY :Palgrave Macmillan,2009.
面頁冊數:
x, 208 p. ;22 cm.
標題:
TheaterCastingEngland.
電子資源:
access to fulltext (Palgrave)
ISBN:
9780230622609
Cross-gender Shakespeare and English national identitywearing the codpiece /
Klett, Elizabeth.
Cross-gender Shakespeare and English national identity
wearing the codpiece /[electronic resource] :Elizabeth Klett. - 1st ed. - New York, NY :Palgrave Macmillan,2009. - x, 208 p. ;22 cm.
Includes bibliographical references and index.
Introduction : wearing the codpiece -- The king's many bodies : Fiona Shaw's Richard II (1995-96) -- Playing with contradictions : Kathryn Hunter's King Lear (1997) -- Gender in exile : VanessaRedgrave's Prospero in The tempest (2000) -- Staging and subverting nostalgia : Dawn French's Bottom in A midsummer night's dream (2001) -- Vice-versa : all-female Shakespeare at the Globe Theatre (2003-04).
This astute book examines the cultural implications of reactions to contemporary performancesin which Richard II, Lear, Prospero, Bottom, Richard III, Petruchio, and Benedick were played by women. Elizabeth Klett argues that the critical uproar in the British press provoked by these performances signals a deep-seated anxiety about the status of Shakespeare within British culture. By dismissing, mocking, or railing against these women, reviewers inadvertently demonstrate the power of theseproductions to disrupt a series of established forms: mimetic theater,normative gender identity, Shakespearean authority, and English national identity. This book discusses the ways these women's performances are changing the British theater, inviting their audiences to think differently about Shakespeare, their nation, and themselves.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230622609
Standard No.: 10.1057/9780230622609doiSubjects--Personal Names:
392937
Shakespeare, William,
1564-1616--Histories.Subjects--Topical Terms:
460988
Theater
--Casting--England.Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PR3100 / .K58 2009
Dewey Class. No.: 792.4/5
Cross-gender Shakespeare and English national identitywearing the codpiece /
LDR
:02542cmm 2200325Ia 4500
001
259766
003
OCoLC
005
20100709082015.0
006
m d
007
cr cn|
008
100903s2009 nyu sb 001 0 eng d
020
$a
9780230622609
020
$a
0230622607
024
7
$a
10.1057/9780230622609
$2
doi
035
$a
(OCoLC)497757205
035
$a
ocn497757205
040
$a
UKPGM
$b
eng
$c
UKPGM
$d
EBLCP
043
$a
e-uk-en
049
$a
APTA
050
1 4
$a
PR3100
$b
.K58 2009
082
0 4
$a
792.4/5
$2
22
100
1
$a
Klett, Elizabeth.
$3
460987
245
1 0
$a
Cross-gender Shakespeare and English national identity
$h
[electronic resource] :
$b
wearing the codpiece /
$c
Elizabeth Klett.
250
$a
1st ed.
260
$a
New York, NY :
$b
Palgrave Macmillan,
$c
2009.
300
$a
x, 208 p. ;
$c
22 cm.
504
$a
Includes bibliographical references and index.
505
0
$a
Introduction : wearing the codpiece -- The king's many bodies : Fiona Shaw's Richard II (1995-96) -- Playing with contradictions : Kathryn Hunter's King Lear (1997) -- Gender in exile : VanessaRedgrave's Prospero in The tempest (2000) -- Staging and subverting nostalgia : Dawn French's Bottom in A midsummer night's dream (2001) -- Vice-versa : all-female Shakespeare at the Globe Theatre (2003-04).
520
$a
This astute book examines the cultural implications of reactions to contemporary performancesin which Richard II, Lear, Prospero, Bottom, Richard III, Petruchio, and Benedick were played by women. Elizabeth Klett argues that the critical uproar in the British press provoked by these performances signals a deep-seated anxiety about the status of Shakespeare within British culture. By dismissing, mocking, or railing against these women, reviewers inadvertently demonstrate the power of theseproductions to disrupt a series of established forms: mimetic theater,normative gender identity, Shakespearean authority, and English national identity. This book discusses the ways these women's performances are changing the British theater, inviting their audiences to think differently about Shakespeare, their nation, and themselves.
533
$a
Electronic reproduction.
$b
Basingstoke, England :
$c
Palgrave Macmillan,
$d
2010.
$n
Mode of access:World Wide Web.
$n
System requirements: Web browser.
$n
Title from title screen (viewed on Jan. 11, 2010).
$n
Access may be restricted to users at subscribing institutions.
600
1 0
$a
Shakespeare, William,
$d
1564-1616
$x
Histories.
$3
392937
650
0
$a
Theater
$x
Casting
$z
England.
$3
460988
650
0
$a
Sex role in the theater.
$3
460989
650
0
$a
Theater and society
$z
England.
$3
460990
655
7
$a
Electronic books.
$2
local.
$3
214472
710
2
$a
Palgrave Connect (Online service)
$3
459825
776
1
$c
Original
$z
9780230616325
$z
0230616321
$w
(DLC) 2008043591
$w
(OCoLC)263146812
856
4 0
$3
Palgrave Connect
$u
http://www.palgraveconnect.com/doifinder/10.1057/9780230622609
$z
access to fulltext (Palgrave)
筆 0 讀者評論
全部
電子館藏
館藏
1 筆 • 頁數 1 •
1
條碼號
館藏地
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
000000042097
電子館藏
1圖書
電子書
EB PR3100 .K58 2009
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
多媒體檔案
http://www.palgraveconnect.com/doifinder/10.1057/9780230622609
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入