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Virginia Woolf and the Russian point...

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Virginia Woolf and the Russian point of view

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Virginia Woolf and the Russian point of viewRoberta Rubenstein.
作者:	Rubenstein, Roberta,
出版者:	New York :Palgrave Macmillan,2009.
面頁冊數:	xi, 265 p. ;22 cm.
標題:	CriticismHistory20th century.Great Britain
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230100558

Virginia Woolf and the Russian point of view
Rubenstein, Roberta,1944-

Virginia Woolf and the Russian point of view[electronic resource] /Roberta Rubenstein. - 1st ed. - New York :Palgrave Macmillan,2009. - xi, 265 p. ;22 cm.

Includes bibliographical references (p. [245]-252) and index.

Dostoevsky - "the dim and populous underworld" -- The Possessed - holograph reading notes (1928) -- On The Possessed, from "The Psychologists," in "Phases of Fiction" - holograph draft (1928) -- Chekhov - "an astonishing sense of freedom" -- "Tchekhov on Pope" - holograph draft (1925) -- "Tchekhov on Pope" - typescript -- "The Rape of the Lock" - holograph reading notes (1925) -- Tolstoy - "genius in the raw" -- Anna Karenina I - holograph reading notes (1909-1914?) -- Anna Karenina II - holograph reading notes -- War and Peace - holograph reading notes (1928-1929) -- Turgenev - "a passion for art" -- Turgenev's fiction - holograph reading notes (1933).

In 1919, Virginia Woolf wrote, "The most inconclusive remarks upon modern English fiction canhardly avoid some mention of the Russian influence, and if the Russians are mentioned one runs the risk of feeling that to write of any fiction save theirs is a waste of time." In Virginia Woolf and the Russian Point of View, Roberta Rubenstein examines Woolf's responses to Russian literature over two decades and across the range of her fiction, essays, and book reviews. She argues that the Russian writers significantly influenced Woolf's developing Modernist aesthetic and left lasting marks onher theory and practice of fiction. The book includes transcriptions of forty-eight pages of Woolf's previously unpublished reading notes on Dostoevsky, Tolstoy, and Turgenev, and an unpublished review in which Chekhov and the Russians figure centrally.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.

Mode of access:World Wide Web.

ISBN: 9780230100558

Standard No.: 10.1057/9780230100558doiSubjects--Personal Names:

398598
Woolf, Virginia,
1882-1941--Criticism and interpretation.Subjects--Topical Terms:

233285
Criticism
--History--Great Britain--20th century.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR6045.O72 / Z86745 2009

Dewey Class. No.: 823/.912

Virginia Woolf and the Russian point of view
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300 $a xi, 265 p. ; $c 22 cm.
504 $a Includes bibliographical references (p. [245]-252) and index.
505 0 $a Dostoevsky - "the dim and populous underworld" -- The Possessed - holograph reading notes (1928) -- On The Possessed, from "The Psychologists," in "Phases of Fiction" - holograph draft (1928) -- Chekhov - "an astonishing sense of freedom" -- "Tchekhov on Pope" - holograph draft (1925) -- "Tchekhov on Pope" - typescript -- "The Rape of the Lock" - holograph reading notes (1925) -- Tolstoy - "genius in the raw" -- Anna Karenina I - holograph reading notes (1909-1914?) -- Anna Karenina II - holograph reading notes -- War and Peace - holograph reading notes (1928-1929) -- Turgenev - "a passion for art" -- Turgenev's fiction - holograph reading notes (1933).
520 $a In 1919, Virginia Woolf wrote, "The most inconclusive remarks upon modern English fiction canhardly avoid some mention of the Russian influence, and if the Russians are mentioned one runs the risk of feeling that to write of any fiction save theirs is a waste of time." In Virginia Woolf and the Russian Point of View, Roberta Rubenstein examines Woolf's responses to Russian literature over two decades and across the range of her fiction, essays, and book reviews. She argues that the Russian writers significantly influenced Woolf's developing Modernist aesthetic and left lasting marks onher theory and practice of fiction. The book includes transcriptions of forty-eight pages of Woolf's previously unpublished reading notes on Dostoevsky, Tolstoy, and Turgenev, and an unpublished review in which Chekhov and the Russians figure centrally.
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