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Max Reinhardta life in publishing /
~
Adamson, Judith.
Max Reinhardta life in publishing /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Max ReinhardtJudith Adamson.
其他題名:
a life in publishing /
作者:
Adamson, Judith.
出版者:
Basingstoke :Palgrave Macmillan,c2009.
面頁冊數:
x, 220 p., [8] p. of plates :ill., ports. ;23 cm.
標題:
Publishers and publishingBiography.Great Britain
電子資源:
access to fulltext (Palgrave)
ISBN:
9780230236622
Max Reinhardta life in publishing /
Adamson, Judith.
Max Reinhardt
a life in publishing /[electronic resource] :Judith Adamson. - Basingstoke :Palgrave Macmillan,c2009. - x, 220 p., [8] p. of plates :ill., ports. ;23 cm.
Includes bibliographical references and index.
Contents -- List of illustrations -- Acknowledgements -- Prologue --From Istanbul to London on the Orient Express -- Enemy Alien, Student,Spy -- The Accountants and George Bernard Shaw -- Nonesuch -- The Bodley Head -- Enter Director Graham Greene -- Charlie Chaplin: The Great Coup -- The Reinhardt-Greene Team -- Georgette Heyer -- The Bodley Head Books for Children -- From Bow Street to the World's Bookshops -- Alexander Solzhenitsyn and Copyright -- Heady, Champagne Years -- Mistakes --The Last Act -- Reinhardt Books -- Last Words -- Index.
Max Reinhardt owned The Bodley Head from 1957 to 1987, and many smaller publishing houses like The Nonesuch Press and Reinhardt Books. Written largely from papers in his private archive, this account of his life contains many stories about his authors, among them Graham Greene (whose contribution to The Bodley Head has never been fully credited), G.B. Shaw, Charlie Chaplin, Georgette Heyer,Alistair Cooke and Alexander Solzhenitsyn. Among his close friends were also many actors; he published his first books with Ralph Richardson and Anthony Quayle, and he left his mark on RADA, where hewas on the council for thirty years. One of Reinhardt's wisest publishing decisions was to support children's books and to hire Judy Taylor to build for The Bodley Head one of the finest children's lists in the business. Max Reinhardt: A Life in Publishing tells the story of a remarkable manand, as it does, illuminates the trajectory of British publishing in the second half of the twentieth century.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230236622
Standard No.: 10.1057/9780230236622doiSubjects--Personal Names:
461489
Reinhardt, Max,
1915-2002.Subjects--Topical Terms:
461490
Publishers and publishing
--Great Britain--Biography.Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: Z325.R45 / A63 2009
Dewey Class. No.: 070.5092
Max Reinhardta life in publishing /
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Contents -- List of illustrations -- Acknowledgements -- Prologue --From Istanbul to London on the Orient Express -- Enemy Alien, Student,Spy -- The Accountants and George Bernard Shaw -- Nonesuch -- The Bodley Head -- Enter Director Graham Greene -- Charlie Chaplin: The Great Coup -- The Reinhardt-Greene Team -- Georgette Heyer -- The Bodley Head Books for Children -- From Bow Street to the World's Bookshops -- Alexander Solzhenitsyn and Copyright -- Heady, Champagne Years -- Mistakes --The Last Act -- Reinhardt Books -- Last Words -- Index.
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Max Reinhardt owned The Bodley Head from 1957 to 1987, and many smaller publishing houses like The Nonesuch Press and Reinhardt Books. Written largely from papers in his private archive, this account of his life contains many stories about his authors, among them Graham Greene (whose contribution to The Bodley Head has never been fully credited), G.B. Shaw, Charlie Chaplin, Georgette Heyer,Alistair Cooke and Alexander Solzhenitsyn. Among his close friends were also many actors; he published his first books with Ralph Richardson and Anthony Quayle, and he left his mark on RADA, where hewas on the council for thirty years. One of Reinhardt's wisest publishing decisions was to support children's books and to hire Judy Taylor to build for The Bodley Head one of the finest children's lists in the business. Max Reinhardt: A Life in Publishing tells the story of a remarkable manand, as it does, illuminates the trajectory of British publishing in the second half of the twentieth century.
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