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Broadway and corporate capitalismthe...
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Broadway and corporate capitalismthe riseof the professional-managerial class, 1900-1920 /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Broadway and corporate capitalismMichael Schwartz.
其他題名:
the riseof the professional-managerial class, 1900-1920 /
作者:
Schwartz, Michael,
出版者:
New York, NY :Palgrave Macmillan,2009.
面頁冊數:
vi, 220 p. ;22 cm.
標題:
Theater and societyHistory20th century.New York (State)
電子資源:
access to fulltext (Palgrave)
ISBN:
9780230623323
Broadway and corporate capitalismthe riseof the professional-managerial class, 1900-1920 /
Schwartz, Michael,1963 Oct. 18-
Broadway and corporate capitalism
the riseof the professional-managerial class, 1900-1920 /[electronic resource] :Michael Schwartz. - 1st ed. - New York, NY :Palgrave Macmillan,2009. - vi, 220 p. ;22 cm. - Palgrave studies in theatre and performance history. - Palgrave studies in theatre and performance history..
Includes bibliographical references and index.
Introduction: a matter for experts -- The growth of Broadway, the emergence of the PMC -- Brave New York : nowhere to go but up -- The showbusiness -- Who were the PMC? -- Meet the experts -- Where the actors stood : the actors' strike -- The problem of nerves -- Dim shadows : pre-PMC consciousness -- Modern men and modern nerves -- Gillette as Sherlock Holmes, super expert -- Fitch and thepsychological moment -- Neurasthenics caught on Kodak -- Muckraking the playing field : emerging PMC class consciousness -- The freshest kids in town -- Fair play : The college widow, Strongheart, and Brown of Harvard -- Sweepings from the muckrakes : The lion and the mouse -- Strikers, gentlemen, and toughs : The boss -- A size thirteen collar : musicals and PMC class consciousness -- The musical : pre-post-mortem -- The providences of God : The Sultan of Sulu -- Musicals grow up for a moment : the princess shows -- Showing a class how to move : the castles -- System and farce : emerging PMChabitus -- Cohan as super model, positive and negative -- F.W. Taylor : a scientific call for PMC -- Losing and making a fortune : Brewster's millions -- Grant Mitchell : PMC poster boy -- Humbuggingprelude :Get-Rich-Quick Wallingford -- Mitchell on the rise : it pays to advertise -- PMC apotheosis : a tailor-made man -- Conclusion : business as usual -- Clarence : leading the U.S. safely into the 1920s -- Freud and the PMC -- O'Neill and psychological capital -- Other cures for nerves : a look at the 1920s -- Postscript : the return of the tailor-made man.
Broadway and Corporate Capitalism examines two overlapping and, in many ways, symbiotic phenomena of early 20th century America - the emergence of the Professional-Managerial Class within American corporate capitalism and the evolution of Broadway. Michael Schwartz shows how the class movements moved - literally and figuratively - to the rhythm of noisy, frenetic farces, highly charged business and sports melodramas, and exuberant musicals. This book brings to life the representative plays, playwrights, actors, critics, and audiences from one of the liveliestperiods of Broadway.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230623323
Standard No.: 10.1057/9780230623323doiSubjects--Topical Terms:
463024
Theater and society
--History--New York (State)--20th century.Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PN2277.N5 / S37 2009
Dewey Class. No.: 792.09747
Broadway and corporate capitalismthe riseof the professional-managerial class, 1900-1920 /
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Introduction: a matter for experts -- The growth of Broadway, the emergence of the PMC -- Brave New York : nowhere to go but up -- The showbusiness -- Who were the PMC? -- Meet the experts -- Where the actors stood : the actors' strike -- The problem of nerves -- Dim shadows : pre-PMC consciousness -- Modern men and modern nerves -- Gillette as Sherlock Holmes, super expert -- Fitch and thepsychological moment -- Neurasthenics caught on Kodak -- Muckraking the playing field : emerging PMC class consciousness -- The freshest kids in town -- Fair play : The college widow, Strongheart, and Brown of Harvard -- Sweepings from the muckrakes : The lion and the mouse -- Strikers, gentlemen, and toughs : The boss -- A size thirteen collar : musicals and PMC class consciousness -- The musical : pre-post-mortem -- The providences of God : The Sultan of Sulu -- Musicals grow up for a moment : the princess shows -- Showing a class how to move : the castles -- System and farce : emerging PMChabitus -- Cohan as super model, positive and negative -- F.W. Taylor : a scientific call for PMC -- Losing and making a fortune : Brewster's millions -- Grant Mitchell : PMC poster boy -- Humbuggingprelude :Get-Rich-Quick Wallingford -- Mitchell on the rise : it pays to advertise -- PMC apotheosis : a tailor-made man -- Conclusion : business as usual -- Clarence : leading the U.S. safely into the 1920s -- Freud and the PMC -- O'Neill and psychological capital -- Other cures for nerves : a look at the 1920s -- Postscript : the return of the tailor-made man.
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Broadway and Corporate Capitalism examines two overlapping and, in many ways, symbiotic phenomena of early 20th century America - the emergence of the Professional-Managerial Class within American corporate capitalism and the evolution of Broadway. Michael Schwartz shows how the class movements moved - literally and figuratively - to the rhythm of noisy, frenetic farces, highly charged business and sports melodramas, and exuberant musicals. This book brings to life the representative plays, playwrights, actors, critics, and audiences from one of the liveliestperiods of Broadway.
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