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Queering Gothic in the Romantic aget...
~
Fincher, Max.
Queering Gothic in the Romantic agethe penetrating eye /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Queering Gothic in the Romantic ageMax Fincher.
其他題名:
the penetrating eye /
作者:
Fincher, Max.
出版者:
Basingstoke :Palgrave Macmillan,2007.
面頁冊數:
vi, 205 p.
標題:
Gothic revival (Literature)Great Britain.
電子資源:
access to fulltext (Palgrave)
ISBN:
9780230223172
Queering Gothic in the Romantic agethe penetrating eye /
Fincher, Max.
Queering Gothic in the Romantic age
the penetrating eye /[electronic resource] :Max Fincher. - Basingstoke :Palgrave Macmillan,2007. - vi, 205 p.
Includes bibliographical references and index.
Reading the Gaze: A Culture of Vigilance -- Guessing the Mould: Or, The Castle of Otranto? --Vathek and the Monstrous Queer -- Camping in the Monastery: The Monk -- Caleb Williams and the QueerSublime -- Penetrating Eye(s): Lara. The Giaour, The Vampyre.
Queering Gothic in the Romantic Age is a provocative study of how the 'penetrating eye' of the Gothic villain is a metaphor for the gaze that inscribes and polices desire in Gothic writing, especially given thevigilance over same-sex desire in the Romantic period. Biographical and critical scrutiny about the sexuality of writers like Walpole, Beckford, Lewis, Godwin and Byron is less important than how such narratives of suspicion, interpretation of the body and gender help us to understand the queerness of Gothic.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.
Mode of access:World Wide Web.
ISBN: 9780230223172
Standard No.: 10.1057/9780230223172doiSubjects--Topical Terms:
178634
Gothic revival (Literature)
--Great Britain.Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PR468.H65 / F56 2007eb
Dewey Class. No.: 823.08720907
Queering Gothic in the Romantic agethe penetrating eye /
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Queering Gothic in the Romantic Age is a provocative study of how the 'penetrating eye' of the Gothic villain is a metaphor for the gaze that inscribes and polices desire in Gothic writing, especially given thevigilance over same-sex desire in the Romantic period. Biographical and critical scrutiny about the sexuality of writers like Walpole, Beckford, Lewis, Godwin and Byron is less important than how such narratives of suspicion, interpretation of the body and gender help us to understand the queerness of Gothic.
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