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Rock music in performance

Palgrave Connect (Online service)

Rock music in performance

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Rock music in performanceDavid Pattie.
作者:	Pattie, David,
出版者:	Basingstoke, Hampshire [England] ;Palgrave Macmillan,2007.
面頁冊數:	viii, 188 p.
標題:	Rock musicHistory and criticism.
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230593305

Rock music in performance
Pattie, David,1963-

Rock music in performance[electronic resource] /David Pattie. - Basingstoke, Hampshire [England] ;Palgrave Macmillan,2007. - viii, 188 p.

Includes bibliographical references (p. 172-176), filmography (p. 177-179), web resources (p.180), and index.

PART 1: PERFORMANCE AND THE PRACTICE OF AUTHENTICITY -- 4:Real: Performance and Authenticity -- Performance and Mediation: Performance, Space and Technology -- Performance, Gender and Rock Music -- PART 2: PERFORMANCE, AUTHENTICITY AND HISTORY -- The 1960s -- The 1970s -- The 1980s -- The 1990s -- The 21st Century.

Rock Music in Performance examines an apparent contradiction which is central to the performance of rock music. Rock musicians are supposedto be real - their music is a reflection, either of their essential selves, or of the true history of the genre they represent. At the same time, musicians have to put on a show, with all the associations that term brings with it - of theatricality, of commercialized entertainment. David Pattie looks at the way in which various performers have dealt with this paradox, from the time that Rock music developed in the late 1960s to the present day. He argues that this paradox is in fact central to the way in which Rock music in performance has developed; and that it continues to shape the way in which both bands and audiences engage with the live event.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230593305

Standard No.: 10.1057/9780230593305doiSubjects--Topical Terms:

233128
Rock music
--History and criticism.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: ML3534 / .P3697 2007eb

Dewey Class. No.: 781.66143

Rock music in performance
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100 1 $a Pattie, David, $d 1963- $3 474057
245 1 0 $a Rock music in performance $h [electronic resource] / $c David Pattie.
260 $a Basingstoke, Hampshire [England] ; $a New York : $b Palgrave Macmillan, $c 2007.
300 $a viii, 188 p.
504 $a Includes bibliographical references (p. 172-176), filmography (p. 177-179), web resources (p.180), and index.
505 0 $a PART 1: PERFORMANCE AND THE PRACTICE OF AUTHENTICITY -- 4:Real: Performance and Authenticity -- Performance and Mediation: Performance, Space and Technology -- Performance, Gender and Rock Music -- PART 2: PERFORMANCE, AUTHENTICITY AND HISTORY -- The 1960s -- The 1970s -- The 1980s -- The 1990s -- The 21st Century.
520 $a Rock Music in Performance examines an apparent contradiction which is central to the performance of rock music. Rock musicians are supposedto be real - their music is a reflection, either of their essential selves, or of the true history of the genre they represent. At the same time, musicians have to put on a show, with all the associations that term brings with it - of theatricality, of commercialized entertainment. David Pattie looks at the way in which various performers have dealt with this paradox, from the time that Rock music developed in the late 1960s to the present day. He argues that this paradox is in fact central to the way in which Rock music in performance has developed; and that it continues to shape the way in which both bands and audiences engage with the live event.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Rock music $x History and criticism. $3 233128
650 0 $a Rock concerts. $3 474058
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