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A feminine cinematicsLuce Irigaray, ...

Bainbridge, Caroline, (1970-)

A feminine cinematicsLuce Irigaray, womenand film /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	A feminine cinematicsCaroline Bainbridge.
其他題名:	Luce Irigaray, womenand film /
作者:	Bainbridge, Caroline,
出版者:	Basingstoke [England] ;Palgrave Macmillan,2008.
面頁冊數:	ix, 223 p.
標題:	Motion pictures and women.
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230583689

A feminine cinematicsLuce Irigaray, womenand film /
Bainbridge, Caroline,1970-

A feminine cinematicsLuce Irigaray, womenand film /[electronic resource] :Caroline Bainbridge. - Basingstoke [England] ;Palgrave Macmillan,2008. - ix, 223 p.

Includes bibliographical references (p. 207-216) and index.

-- Acknowledgements -- Introduction -- Reading the Feminine with Irigaray -- Spectatorship, Cinematic Strategy and Mediation -- Practising the Feminine: Contexts of Production, Direction and Reception -- Fantasy and the Feminine: Female Perversions and Under the Skin -- Screening Parler femme: Silences of the Palace, Antonia's Line and Faithless -- Orlando and the Maze of Gender -- Riddles of the Feminine in The Piano -- Impossible Differences: Slippages and Auguries -- Filmography -- Bibliography -- Index --.

Drawing on the work of philosopher Luce Irigaray, this groundbreaking study intervenes in thedebate around women and film. Women's films can be seen as providing a new arena for the explorationof sexual difference and patterns of representation and spectatorship. This timely book analyses films such as The Piano, Orlando, Antonia's Line and The Silences of the Palace in order to make the case that a feminine cinematics is now emerging through the scene of women's filmmaking. Caroline Bainbridge moves beyond the framework of textual analysis by making a compelling case for the importanceof contextual elements in contemporary women's cinema, foregrounding issues of production, direction and reception.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230583689

Standard No.: 10.1057/9780230583689doiSubjects--Personal Names:

474410
Irigaray, Luce
--Criticism and interpretation.Subjects--Topical Terms:

474411
Motion pictures and women.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1995.9.W6 / B295 2008eb

Dewey Class. No.: 791.43082

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300 $a ix, 223 p.
504 $a Includes bibliographical references (p. 207-216) and index.
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505 0 $a -- Acknowledgements -- Introduction -- Reading the Feminine with Irigaray -- Spectatorship, Cinematic Strategy and Mediation -- Practising the Feminine: Contexts of Production, Direction and Reception -- Fantasy and the Feminine: Female Perversions and Under the Skin -- Screening Parler femme: Silences of the Palace, Antonia's Line and Faithless -- Orlando and the Maze of Gender -- Riddles of the Feminine in The Piano -- Impossible Differences: Slippages and Auguries -- Filmography -- Bibliography -- Index --.
520 $a Drawing on the work of philosopher Luce Irigaray, this groundbreaking study intervenes in thedebate around women and film. Women's films can be seen as providing a new arena for the explorationof sexual difference and patterns of representation and spectatorship. This timely book analyses films such as The Piano, Orlando, Antonia's Line and The Silences of the Palace in order to make the case that a feminine cinematics is now emerging through the scene of women's filmmaking. Caroline Bainbridge moves beyond the framework of textual analysis by making a compelling case for the importanceof contextual elements in contemporary women's cinema, foregrounding issues of production, direction and reception.
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