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Romantic misfits

Great Britain

Romantic misfits

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Romantic misfitsRobert Miles.
作者:	Miles, Robert,
出版者:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillian,2008.
面頁冊數:	x, 245 p.
附註:	Includes bibliographical references (p. 222-237) index.
標題:	English literatureHistory and criticism.18th century
標題:	Great BritainEconomic policy1979-1997.
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230582279

Romantic misfits
Miles, Robert,1953-

Romantic misfits[electronic resource] /Robert Miles. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillian,2008. - x, 245 p. - Palgrave studies in the Enlightenment, romanticism and cultures of print. - Palgrave studies in the Enlightenment, romanticism and cultures of print..

Includes bibliographical references (p. 222-237) index.

Includes bibliographical references (p. 222-237) and index.

Introduction -- The Original Misfit: The Shakespeare forgeries, Herbert Croft's Love and Madness, and W.H. Ireland's Romantic Career -- Gothic Wordsworth -- The Romantic Abject: Cagliostro, Carlyle, Coleridge -- The Romantic-era Novel -- Dissent: Anna Letitia Barbauld -- Bibliography -- Index-- -- -- -- --.

Perhaps the most significant event of the Romantic period was the explosion in print media. In an age of personality, writers strove for attention by dramatising their status as a 'neglected genius', someone who wrote, not for the mass-market or for profit, but for the discerning few. 'Romantic misfit' is the common term for this modern identity. However, where all Romantics are misfits, some misfits did not fit. Romantic Misfits probes the modern institutionalisation of Literature by examining this process of inclusion and exclusion as it happened among first generation Romantics, where the tension between the late Enlightenment and its Romantic 'counter' was at its most acute. A recurring theme of Romantic Misfits is that Romanticism was institutionalised among the ruins of the public sphere, and that civic engagement was a casualty ofthe transcendental aesthetics that arose to buttress a new, exclusive conception of Literature.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230582279

Standard No.: 10.1057/9780230582279doiSubjects--Topical Terms:

179585
English literature
--History and criticism.--18th centurySubjects--Geographical Terms:

381151
Great Britain
--Economic policy--1979-1997.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR447 / .M45 2008eb

Dewey Class. No.: 820.9/005

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505 0 $a Introduction -- The Original Misfit: The Shakespeare forgeries, Herbert Croft's Love and Madness, and W.H. Ireland's Romantic Career -- Gothic Wordsworth -- The Romantic Abject: Cagliostro, Carlyle, Coleridge -- The Romantic-era Novel -- Dissent: Anna Letitia Barbauld -- Bibliography -- Index-- -- -- -- --.
520 $a Perhaps the most significant event of the Romantic period was the explosion in print media. In an age of personality, writers strove for attention by dramatising their status as a 'neglected genius', someone who wrote, not for the mass-market or for profit, but for the discerning few. 'Romantic misfit' is the common term for this modern identity. However, where all Romantics are misfits, some misfits did not fit. Romantic Misfits probes the modern institutionalisation of Literature by examining this process of inclusion and exclusion as it happened among first generation Romantics, where the tension between the late Enlightenment and its Romantic 'counter' was at its most acute. A recurring theme of Romantic Misfits is that Romanticism was institutionalised among the ruins of the public sphere, and that civic engagement was a casualty ofthe transcendental aesthetics that arose to buttress a new, exclusive conception of Literature.
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