國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

British labouring-class nature poetr...

Keegan, Bridget.

British labouring-class nature poetry, 1730-1837

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	British labouring-class nature poetry, 1730-1837Bridget Keegan.
作者:	Keegan, Bridget.
出版者:	Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2008.
面頁冊數:	xi, 220 p.
標題:	English poetryHistory and criticism.18th century
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230583900

British labouring-class nature poetry, 1730-1837
Keegan, Bridget.

British labouring-class nature poetry, 1730-1837[electronic resource] /Bridget Keegan. - Houndmills, Basingstoke, Hampshire ;Palgrave Macmillan,2008. - xi, 220 p.

Includes bibliographical references (p. 193-211) and index.

A weed in nature's poesy : British labouring-class nature poetry, 1730-1837 -- The fields hisstudy : Robert Bloomfield's poetics of sustainability -- Return to the garden : James Woodhouse andpolite cultivations -- Heavenly prospects : views from Clifton and Cliffden -- Writing against the current : Anne Wilson's Teisa and labouring-class river poetry -- What terms of art can nature's pow'rs express? : William Falconer and labouring-class poetry at sea -- And all is nakedness and fen : John Clare's Wetlands -- The politics and poetics of wood : labouring-class poetry in the Victorian era.

Nearly 1400 poets from labouring-class origins wrote and published in Great Britain between 1700 and 1900, yet much of their work has yet to be properly examined. This study focuses upon how these writers represented nature in their poetry and how they adapted and transformed the poetic genres available to them. Looking in turn at their treatment of different ecosystems, including farms, gardens, hills, rivers, seas andwetlands, the book argues that writing about the environment allowed labouring-class poets to explore important social and aesthetic questions. The book examines the works of numerous poets from Stephen Duck, William Falconer and Ann Yearsley in the eighteenth-century to Robert Bloomfield and John Clare in the nineteenth-century. The book expands the canon of British poetry and broadens the scope of environmental literarycriticism by exploring the question of how anauthor's class background affects his or her engagements with the natural world.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230583900

Standard No.: 10.1057/9780230583900doiSubjects--Topical Terms:

191301
English poetry
--History and criticism.--18th centuryIndex Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR555.N3 / K44 2008eb

Dewey Class. No.: 821/.609920623

British labouring-class nature poetry, 1730-1837
LDR:02829cmm a2200301 a 4500 001 268816
003 OCoLC
005 20101102091232.0
006 m d
007 cr nn muauu
008 101122s2008 enk sb 001 0 eng d
020 $a 9780230583900
020 $a 0230583903
024 7 $a 10.1057/9780230583900 $2 doi
040 $a UKPGM $b eng $c UKPGM $d IDEBK
041 0 $a eng
043 $a e-uk---
049 $a APTA
050 1 4 $a PR555.N3 $b K44 2008eb
082 0 4 $a 821/.609920623 $2 22
100 1 $a Keegan, Bridget. $3 475107
245 1 0 $a British labouring-class nature poetry, 1730-1837 $h [electronic resource] / $c Bridget Keegan.
260 $a Houndmills, Basingstoke, Hampshire ; $a New York : $b Palgrave Macmillan, $c 2008.
300 $a xi, 220 p.
504 $a Includes bibliographical references (p. 193-211) and index.
505 0 $a A weed in nature's poesy : British labouring-class nature poetry, 1730-1837 -- The fields hisstudy : Robert Bloomfield's poetics of sustainability -- Return to the garden : James Woodhouse andpolite cultivations -- Heavenly prospects : views from Clifton and Cliffden -- Writing against the current : Anne Wilson's Teisa and labouring-class river poetry -- What terms of art can nature's pow'rs express? : William Falconer and labouring-class poetry at sea -- And all is nakedness and fen : John Clare's Wetlands -- The politics and poetics of wood : labouring-class poetry in the Victorian era.
520 $a Nearly 1400 poets from labouring-class origins wrote and published in Great Britain between 1700 and 1900, yet much of their work has yet to be properly examined. This study focuses upon how these writers represented nature in their poetry and how they adapted and transformed the poetic genres available to them. Looking in turn at their treatment of different ecosystems, including farms, gardens, hills, rivers, seas andwetlands, the book argues that writing about the environment allowed labouring-class poets to explore important social and aesthetic questions. The book examines the works of numerous poets from Stephen Duck, William Falconer and Ann Yearsley in the eighteenth-century to Robert Bloomfield and John Clare in the nineteenth-century. The book expands the canon of British poetry and broadens the scope of environmental literarycriticism by exploring the question of how anauthor's class background affects his or her engagements with the natural world.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a English poetry $y 18th century $x History and criticism. $3 191301
650 0 $a English poetry $y 19th century $x History and criticism. $3 174116
650 0 $a Nature in literature. $3 188543
650 0 $a Working class writings, English $x History and criticism. $3 243941
650 0 $a Working class authors $z Great Britain $x Aesthetics. $3 475108
655 7 $a Electronic books. $2 local. $3 214472
710 2 $a Palgrave Connect (Online service) $3 459825
776 1 $c Original $z 9780230536968 $z 0230536964 $w (DLC) 2008011807 $w (OCoLC)215171997
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230583900 $z access to fulltext (Palgrave)