國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

New Deal theaterthe vernacular tradi...

Palgrave Connect (Online service)

New Deal theaterthe vernacular tradition in American political theater /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	New Deal theaterIlka Saal.
其他題名:	the vernacular tradition in American political theater /
作者:	Saal, Ilka.
出版者:	New York :Palgrave Macmillan,2007.
面頁冊數:	232 p.
標題:	TheaterPolitical aspects20th century.United States
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230608832

New Deal theaterthe vernacular tradition in American political theater /
Saal, Ilka.

New Deal theaterthe vernacular tradition in American political theater /[electronic resource] :Ilka Saal. - 1st ed. - New York :Palgrave Macmillan,2007. - 232 p.

Includes bibliographical references (p. [183]-221) and index.

Brecht on Broadway: reconsidering political theater -- Disjunctive aesthetics: a genealogy ofpolitical theater -- Strike songs: working- and middle-class revolutionaries -- Plays of cash and cabbages: from proletarian melodrama to revolutionary realism -- Why sing skies above?: labor musicalsand living newspapers -- Toward postmodernism: the political theater of the 1960s.

New Deal Theater recovers a much ignored model of political theater for cultural criticism. While considered to be less radical in its aesthetics and politics than its celebrated Weimar and Soviet cousins, it nonetheless proved to be highly effective in asserting cultural critique. In this regard it offers a vital alternative to the dominant modernist paradigm developed in Europe. Rather than radicalizing content and form, New Deal theater insisted that the political had to be made commensurable with the language of a mass audience steeped in consumer culture. The resulting vernacular praxis emphasized empathy over alienation, verisimilitude over abstraction. By examining the culturalvectors that shaped this theater, Saal shows why it was more successful on the American stage than its European counterpart and develops a theory of vernacular political theater which can help us think of the political in art in other than modernist terms.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230608832

Standard No.: 10.1057/9780230608832doiSubjects--Topical Terms:

475264
Theater
--Political aspects--United States--20th century.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PS338.P6 / S33 2007eb

Dewey Class. No.: 812.5209358

New Deal theaterthe vernacular tradition in American political theater /
LDR:02568cmm a2200313 a 4500 001 268889
003 OCoLC
005 20101102091340.0
006 m d
007 cr nn muauu
008 101122s2007 nyu sb 001 0 eng d
020 $a 9780230608832
020 $a 0230608833
024 7 $a 10.1057/9780230608832 $2 doi
040 $a UKPGM $b eng $c UKPGM $d IDEBK
041 0 $a eng
043 $a n-us---
049 $a APTA
050 1 4 $a PS338.P6 $b S33 2007eb
082 0 4 $a 812.5209358 $2 22
100 1 $a Saal, Ilka. $3 475263
245 1 0 $a New Deal theater $h [electronic resource] : $b the vernacular tradition in American political theater / $c Ilka Saal.
250 $a 1st ed.
260 $a New York : $b Palgrave Macmillan, $c 2007.
300 $a 232 p.
504 $a Includes bibliographical references (p. [183]-221) and index.
505 0 $a Brecht on Broadway: reconsidering political theater -- Disjunctive aesthetics: a genealogy ofpolitical theater -- Strike songs: working- and middle-class revolutionaries -- Plays of cash and cabbages: from proletarian melodrama to revolutionary realism -- Why sing skies above?: labor musicalsand living newspapers -- Toward postmodernism: the political theater of the 1960s.
520 $a New Deal Theater recovers a much ignored model of political theater for cultural criticism. While considered to be less radical in its aesthetics and politics than its celebrated Weimar and Soviet cousins, it nonetheless proved to be highly effective in asserting cultural critique. In this regard it offers a vital alternative to the dominant modernist paradigm developed in Europe. Rather than radicalizing content and form, New Deal theater insisted that the political had to be made commensurable with the language of a mass audience steeped in consumer culture. The resulting vernacular praxis emphasized empathy over alienation, verisimilitude over abstraction. By examining the culturalvectors that shaped this theater, Saal shows why it was more successful on the American stage than its European counterpart and develops a theory of vernacular political theater which can help us think of the political in art in other than modernist terms.
533 $a Electronic reproduction. $b Basingstoke, England : $c Palgrave Macmillan, $d 2009. $n Mode of access:World Wide Web. $n System requirements: Web browser. $n Title from title screen (viewed on Mar. 3, 2009). $n Access may berestricted to users at subscribing institutions.
650 0 $a Theater $x Political aspects $z United States $y 20th century. $3 475264
650 0 $a American drama $y 20th century $x History and criticism. $3 252240
650 0 $a Politics and literature $z United States $x History $y 20th century. $3 222006
650 0 $a Political plays, American $x History and criticism. $3 475265
655 7 $a Electronic books. $2 local. $3 214472
710 2 $a Palgrave Connect (Online service) $3 459825
776 1 $c Original $z 1403978018 $z 9781403978011 $w (OCoLC)171111721
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9780230608832 $z access to fulltext (Palgrave)