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Race and White identity in southern ...

Duvall, John N. (1956-)

Race and White identity in southern fictionfrom Faulkner to Morrison /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Race and White identity in southern fictionJohn N. Duvall.
其他題名:	from Faulkner to Morrison /
作者:	Duvall, John N.
出版者:	New York :Palgrave Macmillan,2008.
面頁冊數:	xix, 194 p. :ill.
標題:	American fictionHistory and criticism.Southern States
標題:	Southern StatesCongresses.Race relations
電子資源:	access to fulltext (Palgrave)
ISBN:	9780230611825

Race and White identity in southern fictionfrom Faulkner to Morrison /
Duvall, John N.1956-

Race and White identity in southern fictionfrom Faulkner to Morrison /[electronic resource] :John N. Duvall. - 1st ed. - New York :Palgrave Macmillan,2008. - xix, 194 p. :ill.

Includes bibliographical references (p. [181]-187) and index.

White face, Black culture -- Artificial negroes, White homelessness,and diaspora consciousness -- William Faulkner, whiteface, and Black identity -- Flannery O'Connor, (G)race, and colored identity -- John Barth, blackface, and invisible identity -- Dorothy Allison, "nigger trash," and miscegenated identity -- Black writing and whiteface.

Race and White Identity in Southern Fiction explores a form of racial passing that has gone largely unnoticed. Duvall makes visible the means by which southern novelists repeatedly imagined their white characters as fundamentally black in some sense. Beginning with William Faulkner, Duvall traces a form of figurative and rhetorical masking in twentieth-century southern fiction that derives from whiteface minstrelsy. In the fiction of such subsequent writers as Flannery O'Connor, John Barth, Dorothy Allison, and Ishmael Reed, the reader sees characters who present a white face to the world, even as they unconsciously perform cultural blackness. These queer performances of race repeatedly reveal thatbeing merely Caucasian is insufficient to claim Southern Whiteness.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2009.

Mode of access:World Wide Web.

ISBN: 9780230611825

Standard No.: 10.1057/9780230611825doiSubjects--Topical Terms:

475318
American fiction
--History and criticism.--Southern StatesSubjects--Geographical Terms:

392358
Southern States
--Race relations--Congresses.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PS261 / .D88 2008eb

Dewey Class. No.: 813/.509355

Race and White identity in southern fictionfrom Faulkner to Morrison /
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300 $a xix, 194 p. : $b ill.
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505 0 $a White face, Black culture -- Artificial negroes, White homelessness,and diaspora consciousness -- William Faulkner, whiteface, and Black identity -- Flannery O'Connor, (G)race, and colored identity -- John Barth, blackface, and invisible identity -- Dorothy Allison, "nigger trash," and miscegenated identity -- Black writing and whiteface.
520 $a Race and White Identity in Southern Fiction explores a form of racial passing that has gone largely unnoticed. Duvall makes visible the means by which southern novelists repeatedly imagined their white characters as fundamentally black in some sense. Beginning with William Faulkner, Duvall traces a form of figurative and rhetorical masking in twentieth-century southern fiction that derives from whiteface minstrelsy. In the fiction of such subsequent writers as Flannery O'Connor, John Barth, Dorothy Allison, and Ishmael Reed, the reader sees characters who present a white face to the world, even as they unconsciously perform cultural blackness. These queer performances of race repeatedly reveal thatbeing merely Caucasian is insufficient to claim Southern Whiteness.
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