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Male subjectivity and poetic form in...
~
Mossin, Andrew.
Male subjectivity and poetic form in "new American" poetry
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Male subjectivity and poetic form in "new American" poetryAndrew Mossin.
作者:
Mossin, Andrew.
出版者:
New York :Palgrave Macmillan,2010.
面頁冊數:
ix, 235 p.
標題:
American poetryMale authors
電子資源:
access to fulltext (Palgrave)
ISBN:
9780230106802
Male subjectivity and poetic form in "new American" poetry
Mossin, Andrew.
Male subjectivity and poetic form in "new American" poetry
[electronic resource] /Andrew Mossin. - 1st ed. - New York :Palgrave Macmillan,2010. - ix, 235 p. - Modern and contemporary poetry and poetics. - Modern and contemporary poetry and poetics..
Includes bibliographical references (p. [219]-231) and index.
"In thicket": Charles Olson, poetic career, and the crisis of Cold War masculinity -- "Homosexual advertising": gay subjectivity, modernistform, and Robert Duncan's The Venice poem -- In the shadow of Nerval: Robert Duncan, Robin Blaser, and the poetics of (mis)translation -- Recovering the public world: Robin Blaser, Hannah Arendt, and the discourses of self and other in Image-nations 1-12-- "Collapsed aura": Nathaniel Mackey, Robert Duncan, and the poetics of discrepant subjectivity in"Song of the Andoumboulou" -- Afterword: toward a poetics of mutual understanding.
Focusing in particular on pairings of writers within the larger grouping of poets, this bookssuggests how literary partnerships became pivotal to American poets in the wake of Donald Allen's "New American Poetry" anthology.
Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2010.
Mode of access:World Wide Web.
ISBN: 9780230106802Subjects--Topical Terms:
478460
American poetry
--Male authorsIndex Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PS310.S85 / M67 2010
Dewey Class. No.: 821/.54093521
Male subjectivity and poetic form in "new American" poetry
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Includes bibliographical references (p. [219]-231) and index.
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Focusing in particular on pairings of writers within the larger grouping of poets, this bookssuggests how literary partnerships became pivotal to American poets in the wake of Donald Allen's "New American Poetry" anthology.
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