國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Audio production and critical listen...

Corey, Jason.

Audio production and critical listeningtechnical ear training /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Audio production and critical listeningJason Corey.
其他題名:	technical ear training /
作者:	Corey, Jason.
出版者:	Burlington, MA :Focal Press,c2010.
面頁冊數:	1 online resource (xv, 175 p.) :ill.
標題:	Auditory perception.
電子資源:	http://www.sciencedirect.com/science/book/9780240812953
ISBN:	9780240812953

Audio production and critical listeningtechnical ear training /
Corey, Jason.

Audio production and critical listeningtechnical ear training /[electronic resource] :Jason Corey. - Burlington, MA :Focal Press,c2010. - 1 online resource (xv, 175 p.) :ill.

Includes bibliographical references and index.

Introduction -- 1 Listening -- 1.1 Everyday Listening -- 1.2 What is Technical Ear Training? -- 1.3 What is Timbre? -- 1.4 Shaping Sounds -- 1.5 Sound Reproduction System Configurations -- 1.6 The Listening Environment -- 2 Spectral Balance and Equalization -- 2.1 Types of Filters and Equalizers -- 2.2 Practice -- 2.3 Exercises -- 3 Spatial Attributes -- 3.1 Time Delay -- 3.2 Reverberation -- 3.3 Delay and Comb Filtering -- 3.4 Reverberation in Multichannel Audio -- 3.5 Description of the Software Training Module -- 3.6 Mid-Side Matrixing, Stereo Shuffling, and Polarity Reversal -- 3.7 Summary -- 4 Dynamic Range and Levels -- 4.1 Level Changes -- 4.2 Compressors and Limiters -- 4.3 Expanders and Gates -- 5 Distortion and Noise -- 5.1 Clipping and Overdrive -- 5.2 Noise, Hum and Buzz -- 5.3 Quantization Distortion: Bit Rate Reduction -- 6 Amplitude Envelope -- 6.1 Digital Audio Editing: The Source-Destination Technique -- 6.2 Software Exercise Module -- 6.3 Focus of the Exercise -- 6.4 Conclusions -- 7 Analysis of Sound -- 7.1 Analysis of Sound from Electroacoustic Sources -- 7.2 Graphical Analysis of Sound -- 7.3 Multichannel Audio -- 7.4 Selecting Listening Material -- 7.5 Analysis Examples -- 7.6 Sound Enhancers on Media Players -- 7.7 Analysis of Sound from Acoustic Sources -- 7.8 Conclusions -- A About the software practice modules -- Bibliography.

Owners of Audio Production and Critical Listening, please contact us for the Mac version: technical.support@elsevier.com. Making decisions about how and when to apply sound processing effects and recording techniques can make or break your song mix. The decisions you make come down to your listening skills - what you hear and how you perceive it. Your ability to properly discern sound, identify a problem, and act accordingly - especially when the decision often needs to be made quickly - makes all the difference to the success of the final track. Audio Production and Critical Listening develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer. The interactive "ear training" software practice modules give you experience identifying various types of signal processes and manipulation - EQ, dynamics, reverb, distortion, delay, etc. The software sits alongside the clear and detailed explanations in the book, offering a complete learning package that will help you train your ears to listen and really "hear" your recordings. * Learn how to immediately recognize audio problems and identify the 'fix' * Develop your critical listening skills for common audio signal processes * Includes interactive software modules to practice identifying commonly used audio signal processor effects.

ISBN: 9780240812953

Source: 1048259:10483881Elsevier Science & Technologyhttp://www.sciencedirect.comSubjects--Topical Terms:

242621
Auditory perception.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: TA365 / .C678 2010

Dewey Class. No.: 781.49

Audio production and critical listeningtechnical ear training /
LDR:04358cmm 2200421Ia 4500 001 313609
003 OCoLC
005 20111122085755.0
006 m d
007 cr cn|||||||||
008 111229s2010 maua ob 001 0 eng d
019 $a 664571293
020 $a 9780240812953
020 $a 0240812956
020 $a 9780240812960 (electronic bk.)
020 $a 0240812964 (electronic bk.)
029 1 $a AU@ $b 000045964193
035 $a (OCoLC)610009094 $z (OCoLC)664571293
035 $a ocn610009094
035 $a 313609
037 $a 1048259:10483881 $b Elsevier Science & Technology $n http://www.sciencedirect.com
040 $a OPELS $b eng $c OPELS $d CDX $d OCLCQ $d N $d IDEBK $d EBLCP $d YDXCP $d OCLCQ
049 $a TEFA
050 4 $a TA365 $b .C678 2010
072 7 $a MUS $x 032000 $2 bisacsh
082 0 4 $a 781.49 $2 22
100 1 $a Corey, Jason. $3 536352
245 1 0 $a Audio production and critical listening $h [electronic resource] : $b technical ear training / $c Jason Corey.
260 $a Burlington, MA : $b Focal Press, $c c2010.
300 $a 1 online resource (xv, 175 p.) : $b ill.
504 $a Includes bibliographical references and index.
505 0 $a Introduction -- 1 Listening -- 1.1 Everyday Listening -- 1.2 What is Technical Ear Training? -- 1.3 What is Timbre? -- 1.4 Shaping Sounds -- 1.5 Sound Reproduction System Configurations -- 1.6 The Listening Environment -- 2 Spectral Balance and Equalization -- 2.1 Types of Filters and Equalizers -- 2.2 Practice -- 2.3 Exercises -- 3 Spatial Attributes -- 3.1 Time Delay -- 3.2 Reverberation -- 3.3 Delay and Comb Filtering -- 3.4 Reverberation in Multichannel Audio -- 3.5 Description of the Software Training Module -- 3.6 Mid-Side Matrixing, Stereo Shuffling, and Polarity Reversal -- 3.7 Summary -- 4 Dynamic Range and Levels -- 4.1 Level Changes -- 4.2 Compressors and Limiters -- 4.3 Expanders and Gates -- 5 Distortion and Noise -- 5.1 Clipping and Overdrive -- 5.2 Noise, Hum and Buzz -- 5.3 Quantization Distortion: Bit Rate Reduction -- 6 Amplitude Envelope -- 6.1 Digital Audio Editing: The Source-Destination Technique -- 6.2 Software Exercise Module -- 6.3 Focus of the Exercise -- 6.4 Conclusions -- 7 Analysis of Sound -- 7.1 Analysis of Sound from Electroacoustic Sources -- 7.2 Graphical Analysis of Sound -- 7.3 Multichannel Audio -- 7.4 Selecting Listening Material -- 7.5 Analysis Examples -- 7.6 Sound Enhancers on Media Players -- 7.7 Analysis of Sound from Acoustic Sources -- 7.8 Conclusions -- A About the software practice modules -- Bibliography.
520 $a Owners of Audio Production and Critical Listening, please contact us for the Mac version: technical.support@elsevier.com. Making decisions about how and when to apply sound processing effects and recording techniques can make or break your song mix. The decisions you make come down to your listening skills - what you hear and how you perceive it. Your ability to properly discern sound, identify a problem, and act accordingly - especially when the decision often needs to be made quickly - makes all the difference to the success of the final track. Audio Production and Critical Listening develops your critical and expert listening skills, enabling you to listen to audio like an award-winning engineer. The interactive "ear training" software practice modules give you experience identifying various types of signal processes and manipulation - EQ, dynamics, reverb, distortion, delay, etc. The software sits alongside the clear and detailed explanations in the book, offering a complete learning package that will help you train your ears to listen and really "hear" your recordings. * Learn how to immediately recognize audio problems and identify the 'fix' * Develop your critical listening skills for common audio signal processes * Includes interactive software modules to practice identifying commonly used audio signal processor effects.
588 $a Description based on print version record.
650 0 $a Auditory perception. $3 242621
650 0 $a Listening. $3 300939
650 0 $a Ear training. $3 536353
650 0 $a Sound $x Recording and reproducing $x Evaluation. $3 536354
650 4 $a Evaluation. $3 397030
650 4 $a Recording and reproducing. $3 536355
650 4 $a Sound. $3 208122
650 4 $a Civil engineering. $3 195981
650 4 $a Fine Arts. $3 212421
650 4 $a Engineering. $3 210888
650 7 $a MUSIC $x Recording & Reproduction. $2 bisacsh $3 536356
655 4 $a Electronic books. $2 local. $3 214472
776 0 8 $i Print version: $a Corey, Jason. $t Audio production and critical listening. $d Burlington, MA : Focal Press, c2010 $z 9780240812953 $z 0240812956 $w (DLC) 2009052978 $w (OCoLC)499129525
856 4 0 $3 ScienceDirect $u http://www.sciencedirect.com/science/book/9780240812953
938 $a Coutts Information Services $b COUT $n 13114748 $c 54.95 USD
938 $a EBL - Ebook Library $b EBLB $n EBL610530
938 $a YBP Library Services $b YANK $n 3231443
994 $a C0 $b TEF