國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Recording studio design

Newell, Philip Richard.

Recording studio design

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Recording studio designPhilip Newell.
作者:	Newell, Philip Richard.
出版者:	Oxford :Elsevier/Focal Press,2008.
面頁冊數:	1 online resource (xxiii, 711 p.) :ill.
附註:	Previous ed.: 2003.
標題:	Sound studiosDesign.
電子資源:	http://www.sciencedirect.com/science/book/9780240520865
ISBN:	9780240520865

Recording studio design
Newell, Philip Richard.

Recording studio design[electronic resource] /Philip Newell. - 2nd ed. - Oxford :Elsevier/Focal Press,2008. - 1 online resource (xxiii, 711 p.) :ill.

Previous ed.: 2003.

Includes bibliographical references and index.

General requirements and common errors; Sound, decibels and hearing; Sound isolation; Room acoustics and means of control; Designing neutral rooms; Rooms with characteristic acoustics; Variable acoustics; Room combinations and operational considerations; The studio environment; Limitations to design predictions; Loudspeakers in rooms; Flattening the room response; Control rooms; The behaviour of multiple loudspeakers in rooms; Studio monitoring: the principal objectives; The non-environment control room; The live-end, dead-end approach; Response disturbances due to mixing consoles and studio furniture; Objective measurement and subjective evaluations; Studio monitoring systems; Surround sound and control rooms; Human factors; A mobile control room; Appendices; Glossary of terms.

Recording Studio Design is essential reading for anyone involved in building, renovating and maintaining recording studios. Good acoustics in a recording studio is crucial to the success of a project, and the financial implications of failure means getting things right first time is essential. In straightforward language Newell covers the key basic principles of acoustics, electro-acoustics and psychoacoustics and their application to studio design. Fully updated to reflect current technology and practice additional sections include digital signal processing, design for soundtrack mixing and foley rooms, providing a complete reference offering real solutions to help improve the success rate of any studio. *Provides great detail on the practical recording application in various acoustic environments *Complex issues are explained and real solutions provided *Benefit from Newell's years of experience, designing over 200 studios including Manor and Town House Studios.

ISBN: 9780240520865

Source: 141551:141695Elsevier Science & Technologyhttp://www.sciencedirect.comSubjects--Topical Terms:

538043
Sound studios
--Design.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: TH1725 / .N5 2008

Dewey Class. No.: 621.3893

Recording studio design
LDR:04572cmm 2200373Ia 4500 001 314162
003 OCoLC
005 20111122091337.0
006 m d
007 cr cn|||||||||
008 111229s2008 enka eob 001 0 eng d
019 $a 302286932
020 $a 9780240520865
020 $a 0240520866
035 $a (OCoLC)499051635 $z (OCoLC)302286932
035 $a ocn499051635
037 $a 141551:141695 $b Elsevier Science & Technology $n http://www.sciencedirect.com
040 $a OPELS $b eng $c OPELS $d OCLCQ $d ZAD $d OCLCQ
049 $a TEFA
050 4 $a TH1725 $b .N5 2008
082 0 4 $a 621.3893 $2 22
100 1 $a Newell, Philip Richard. $3 537437
245 1 0 $a Recording studio design $h [electronic resource] / $c Philip Newell.
250 $a 2nd ed.
260 $a Oxford : $b Elsevier/Focal Press, $c 2008.
300 $a 1 online resource (xxiii, 711 p.) : $b ill.
500 $a Previous ed.: 2003.
504 $a Includes bibliographical references and index.
505 0 $a General requirements and common errors; Sound, decibels and hearing; Sound isolation; Room acoustics and means of control; Designing neutral rooms; Rooms with characteristic acoustics; Variable acoustics; Room combinations and operational considerations; The studio environment; Limitations to design predictions; Loudspeakers in rooms; Flattening the room response; Control rooms; The behaviour of multiple loudspeakers in rooms; Studio monitoring: the principal objectives; The non-environment control room; The live-end, dead-end approach; Response disturbances due to mixing consoles and studio furniture; Objective measurement and subjective evaluations; Studio monitoring systems; Surround sound and control rooms; Human factors; A mobile control room; Appendices; Glossary of terms.
505 0 $a Ch. 1. General requirements and common errors -- Ch. 2. Sound, decibels and hearing -- Ch. 3. Sound isolation -- Ch. 4. Room acoustics and means of control -- Ch. 5. Designing neutral rooms -- Ch. 6. Rooms with characteristic acoustics -- Ch. 7. Variable acoustics -- Ch. 8. Room combinations and operational considerations -- Ch. 9. The studio environment -- Ch. 10. Limitations to design predictions -- Ch. 11. Loudspeakers in rooms -- Ch. 12. Flattening the room response -- Ch. 13. Control rooms -- Ch. 14. The behaviour of multiple loudspeakers in rooms -- Ch. 15. Studio monitoring: the principal objectives -- Ch. 16. The non-environment control room -- Ch. 17. The live-end, dead-end approach -- Ch. 18. Response disturbances due to mixing consoles and studio furniture -- Ch. 19. Objective measurement and subjective evaluations -- Ch. 20. Studio monitoring systems -- Ch. 21. Surround sound and control rooms -- Ch. 22. Human factors -- Ch. 23. A mobile control room -- Ch. 24. Foldback -- Ch. 25. Main supplies and earthing systems -- Ch. 26. Analogue audio interfacing.
520 $a Recording Studio Design is essential reading for anyone involved in building, renovating and maintaining recording studios. Good acoustics in a recording studio is crucial to the success of a project, and the financial implications of failure means getting things right first time is essential. In straightforward language Newell covers the key basic principles of acoustics, electro-acoustics and psychoacoustics and their application to studio design. Fully updated to reflect current technology and practice additional sections include digital signal processing, design for soundtrack mixing and foley rooms, providing a complete reference offering real solutions to help improve the success rate of any studio. *Provides great detail on the practical recording application in various acoustic environments *Complex issues are explained and real solutions provided *Benefit from Newell's years of experience, designing over 200 studios including Manor and Town House Studios.
520 2 $a "Essential for anyone building, renovating or maintaining a recording studio; includes 3 whole new chapters on foldback, electrical supplies and analogue interfacing; new sections on cinema soundtrack mixing rooms and TV voice rooms. Covering acoustics, electro-acoustics and psychoacoustics Newell uses real world studios, their problems and solutions, to provide the foundations for successful studio design and maintenance."--P. [4] of cover.
588 $a Description based on print version record.
650 0 $a Sound studios $x Design. $3 538043
650 0 $a Acoustical engineering. $3 221384
655 4 $a Electronic books. $2 local. $3 214472
776 0 8 $i Print version: $a Newell, Philip Richard. $t Recording studio design. $b 2nd ed. $d Oxford : Elsevier/Focal Press, 2008 $z 9780240520865 $z 0240520866 $w (OCoLC)271692808
856 4 0 $3 ScienceDirect $u http://www.sciencedirect.com/science/book/9780240520865
994 $a C0 $b TEF