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Iranian cinema and philosophyshootin...
~
Erfani, Farhang, (1975-)
Iranian cinema and philosophyshooting truth /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Iranian cinema and philosophyFarhang Erfani.
其他題名:
shooting truth /
作者:
Erfani, Farhang,
出版者:
New York :Palgrave Macmillan,2012.
面頁冊數:
1 online resource (xii, 230 p.) :ill.
標題:
Motion picturesIran.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137012920
ISBN:
9781137012920 (electronic bk.)
Iranian cinema and philosophyshooting truth /
Erfani, Farhang,1975-
Iranian cinema and philosophy
shooting truth /[electronic resource] :Farhang Erfani. - New York :Palgrave Macmillan,2012. - 1 online resource (xii, 230 p.) :ill. - Literatures and cultures of the Islamic world. - Literatures and cultures of the Islamic world..
Includes bibliographical references and index.
Introduction -- How orphans believe: Deleuze, national cinema, and Majidi's The color of paradise -- "What are filmmakers for in needy times?" On Heidegger and Kiarostami's Taste of cherry -- Committed perception: Merleau-Ponty and Children of heaven -- Regarding you: Lacanian gaze and ethics in Kiarostami's Close-up -- Stolen Jouissance: Lacan, feminism, and Meshkini's The day I became a woman -- Deafening silence: Bahman Ghobadi's Turtles can fly and marginal politics.
In film studies, Iranian films are kept at a distance, as 'other,' different, and exotic. In reponse, Farhang Erfani shows the originality of these films by relating them to contemporary philosophy. Each chapter of this book is devoted to analyzing a single film, and each chapter focuses on one philosopher and one particular aesthetic question.
ISBN: 9781137012920 (electronic bk.)
Source: 579768Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
481320
Motion pictures
--Iran.Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PN1993.5.I846 / E74 2012
Dewey Class. No.: 791.430955
Iranian cinema and philosophyshooting truth /
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Introduction -- How orphans believe: Deleuze, national cinema, and Majidi's The color of paradise -- "What are filmmakers for in needy times?" On Heidegger and Kiarostami's Taste of cherry -- Committed perception: Merleau-Ponty and Children of heaven -- Regarding you: Lacanian gaze and ethics in Kiarostami's Close-up -- Stolen Jouissance: Lacan, feminism, and Meshkini's The day I became a woman -- Deafening silence: Bahman Ghobadi's Turtles can fly and marginal politics.
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