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The lasting influence of the war on ...

Boyce, Michael W., (1975-)

The lasting influence of the war on postwar British film

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The lasting influence of the war on postwar British filmMichael W. Boyce.
作者:	Boyce, Michael W.,
出版者:	New York, NY :Palgrave Macmillan,2012.
面頁冊數:	1 online resource (212 p.) :ill.
標題:	Motion picturesHistory20th century.Great Britain
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137015044
ISBN:	9781137015044 (electronic bk.)

The lasting influence of the war on postwar British film
Boyce, Michael W.,1975-

The lasting influence of the war on postwar British film[electronic resource] /Michael W. Boyce. - New York, NY :Palgrave Macmillan,2012. - 1 online resource (212 p.) :ill.

Includes bibliographical references.

PART I: GENDER -- The Power of Choice: Complicating Traditional Female Identity -- Celia Johnson -- Deborah Kerr -- Performing Masculinity: Duty, Confinement, and Stiff Upper Lips -- Michael Redgrave -- Alec Guinness -- PART II: GENRE -- Toward a Reading of British Film Noir: Expatriates &Ancient Cities -- Carol Reed's The Third Man -- Jules Dassin's Night and the City -- PART III: RETELLING NATIONAL NARRATIVE -- Adapting Shakespeare: Once More Unto the Breach -- Laurence Olivier's Henry V, Hamlet, and Richard III -- Adapting Dickens: Orphans, Parents, and Post-War Britain -- David Lean's Great Expectations -- David Lean's Oliver Twist -- Alberto Calvalcanti's Nicholas Nickleby -- Brian Desmond Hurst's Scrooge.

Many of the most celebrated British films of the immediate post-war period (1945-55) seem to be occupied with getting on with life and offering distraction for postwar audiences.While the war itself is rarely mentioned in these films, the war and the conditions of postwar society lie at the heart of understanding them. Michael W. Boyce considers the preoccupation of these films with profound anxieties and uncertainties about what life was going to be like for postwar Britain, what roles men and women would play, how children would grow up, even what it meant - and what it still means today - to be British.

ISBN: 9781137015044 (electronic bk.)

Standard No.: 9786613615312

Source: 580475Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

565169
Motion pictures
--History--Great Britain--20th century.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1993.5. G7 / B64 2012

Dewey Class. No.: 791.430941/09042

The lasting influence of the war on postwar British film
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505 0 $a PART I: GENDER -- The Power of Choice: Complicating Traditional Female Identity -- Celia Johnson -- Deborah Kerr -- Performing Masculinity: Duty, Confinement, and Stiff Upper Lips -- Michael Redgrave -- Alec Guinness -- PART II: GENRE -- Toward a Reading of British Film Noir: Expatriates &Ancient Cities -- Carol Reed's The Third Man -- Jules Dassin's Night and the City -- PART III: RETELLING NATIONAL NARRATIVE -- Adapting Shakespeare: Once More Unto the Breach -- Laurence Olivier's Henry V, Hamlet, and Richard III -- Adapting Dickens: Orphans, Parents, and Post-War Britain -- David Lean's Great Expectations -- David Lean's Oliver Twist -- Alberto Calvalcanti's Nicholas Nickleby -- Brian Desmond Hurst's Scrooge.
520 $a Many of the most celebrated British films of the immediate post-war period (1945-55) seem to be occupied with getting on with life and offering distraction for postwar audiences.While the war itself is rarely mentioned in these films, the war and the conditions of postwar society lie at the heart of understanding them. Michael W. Boyce considers the preoccupation of these films with profound anxieties and uncertainties about what life was going to be like for postwar Britain, what roles men and women would play, how children would grow up, even what it meant - and what it still means today - to be British.
520 $a "Many of the most celebrated British films of the immediate post-war period (1945-55) seem to be occupied with "getting on" with life and offering distraction for postwar audiences. It is the time of the celebrated Ealing comedies, Hue and Cry (1946) and Kind Hearts and Coronets (1949), Dickens adaptations, and the most ambitious projects of the Archers. While the war itself is rarely mentioned in these films, the war and the conditions of postwar society lie at the heart of understanding them. While various studies have focused on lesser known realist films, few consider how deeply and completely the war affected British film. Michael W. Boyce considers the preoccupation of these films with profound anxieties and uncertainties about what life was going to be like for postwar Britain, what roles men and women would play, how children would grow up, even what it meant - and what it still means today - to be British"-- $c Provided by publisher.
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