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The hiplife in Ghanathe West African...
~
Osumare, Halifu.
The hiplife in Ghanathe West African indigenization of hip-hop /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The hiplife in Ghanaby Halifu Osumare.
其他題名:
the West African indigenization of hip-hop /
作者:
Osumare, Halifu.
出版者:
Basingstoke :Palgrave Macmillan,2012.
面頁冊數:
1 online resource :ill., maps.
標題:
Hip-hopGhana.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137021656
ISBN:
9781137021656 (electronic bk.)
The hiplife in Ghanathe West African indigenization of hip-hop /
Osumare, Halifu.
The hiplife in Ghana
the West African indigenization of hip-hop /[electronic resource] :by Halifu Osumare. - Basingstoke :Palgrave Macmillan,2012. - 1 online resource :ill., maps.
'Every Hood Has It's Own Style' -- 'Making an African out of the Computer': Globalization and Indigenization in Hiplife -- 'Empowering the Young': Hiplife's Youth Agency -- 'Society of the Spectacle': Hiplife and Corporate Recolonialization -- 'The Game': Hiplife's Counter-Hegemonic Discourse.
The Hiplife in Ghana explores one international site, Ghana, West Africa, where hip-hop music and culture has morphed over two decades into a whole new form of world music called hiplife. It investigates hiplife music not merely as an imitation and adaptation of hip-hop, but as a revision of Ghana's own century-old popular music called highlife. Local hiplife artists have evolved a five-phased indigenization process that has facilitated a dynamic youth agency transforming Ghanaian society. However these social shifts, facilitated by hiplife, have occurred within Ghana's 'corporate recolonization, ' serving as another example of neoliberalism's global free market agenda that has become a new form of colonialism. The text examines hiplife artists' complicity with these socio-economic forces, while also creating counter-hegemonic projects that challenge this socio-economic context and push aesthetics limits at the same time.
ISBN: 9781137021656 (electronic bk.)
Source: 578389Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
584797
Hip-hop
--Ghana.Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: ML3531
Dewey Class. No.: 306.484249
The hiplife in Ghanathe West African indigenization of hip-hop /
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'Every Hood Has It's Own Style' -- 'Making an African out of the Computer': Globalization and Indigenization in Hiplife -- 'Empowering the Young': Hiplife's Youth Agency -- 'Society of the Spectacle': Hiplife and Corporate Recolonialization -- 'The Game': Hiplife's Counter-Hegemonic Discourse.
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The Hiplife in Ghana explores one international site, Ghana, West Africa, where hip-hop music and culture has morphed over two decades into a whole new form of world music called hiplife. It investigates hiplife music not merely as an imitation and adaptation of hip-hop, but as a revision of Ghana's own century-old popular music called highlife. Local hiplife artists have evolved a five-phased indigenization process that has facilitated a dynamic youth agency transforming Ghanaian society. However these social shifts, facilitated by hiplife, have occurred within Ghana's 'corporate recolonization, ' serving as another example of neoliberalism's global free market agenda that has become a new form of colonialism. The text examines hiplife artists' complicity with these socio-economic forces, while also creating counter-hegemonic projects that challenge this socio-economic context and push aesthetics limits at the same time.
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