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Transition cinemapolitical filmmakin...
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Project Muse.
Transition cinemapolitical filmmaking andthe Argentine left since 1968 /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Transition cinemaJessica Stites Mor.
其他題名:
political filmmaking andthe Argentine left since 1968 /
作者:
Stites Mor, Jessica.
出版者:
Pittsburgh :University of Pittsburgh Press,2012.
面頁冊數:
1 online resource (304 p.).
標題:
Politics in motion pictures.
電子資源:
Full text available:
ISBN:
9780822977971 (electronic bk.)
Transition cinemapolitical filmmaking andthe Argentine left since 1968 /
Stites Mor, Jessica.
Transition cinema
political filmmaking andthe Argentine left since 1968 /[electronic resource] :Jessica Stites Mor. - Pittsburgh :University of Pittsburgh Press,2012. - 1 online resource (304 p.). - Illuminations: cultural formations of the Americas.
Includes bibliographical references and index.
Introduction -- The spectacle of the past. Cameras in the hands of "angry young men": filmmaking and the Cordobazo -- Filmmakers into film workers: Peronism, dictatorship, and the film industry-- Reimagining the left. The scene and the city: coded landscapes and collective memoryin transition -- Experience, representation, and reproduction: displacement and El Sur de Solanas -- The mediated subject. Documentalismo: political filmmaking and social movements -- Postmodern exigencies: new media, memory, and critical spaces -- Conclusion.
ISBN: 9780822977971 (electronic bk.)Subjects--Topical Terms:
351815
Politics in motion pictures.
LC Class. No.: PN1995.9.P6 / S75 2012
Dewey Class. No.: 791.430982
Transition cinemapolitical filmmaking andthe Argentine left since 1968 /
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political filmmaking andthe Argentine left since 1968 /
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Introduction -- The spectacle of the past. Cameras in the hands of "angry young men": filmmaking and the Cordobazo -- Filmmakers into film workers: Peronism, dictatorship, and the film industry-- Reimagining the left. The scene and the city: coded landscapes and collective memoryin transition -- Experience, representation, and reproduction: displacement and El Sur de Solanas -- The mediated subject. Documentalismo: political filmmaking and social movements -- Postmodern exigencies: new media, memory, and critical spaces -- Conclusion.
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http://muse.jhu.edu/books/9780822977971/
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