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Coleridge, language and the sublimef...

Coleridge, Samuel Taylor, (1772-1834)

Coleridge, language and the sublimefrom transcendence to finitude /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Coleridge, language and the sublimeby Christopher Stokes.
其他題名:	from transcendence to finitude /
作者:	Stokes, Christopher,
出版者:	New York :Palgrave Macmillan,2011.
面頁冊數:	p. cm.
標題:	Sublime, The, in literature.
電子資源:	An electronic book accessible through the World Wide Web; click for information
ISBN:	9780230295063 (electronic bk.)

Coleridge, language and the sublimefrom transcendence to finitude /
Stokes, Christopher,1981-

Coleridge, language and the sublimefrom transcendence to finitude /[electronic resource] :by Christopher Stokes. - New York :Palgrave Macmillan,2011. - p. cm.

Includes bibliographical references and index.

Introduction -- Language, Longinus, emotion: "violently agitated by a real passion": Longinus and Coleridge's effusions; "the self-watching subtilizing mind": the impassioned self in the 1798 Fears in solitude quarto -- Terror, Burke, ethics: "cruel wrongs and strange distress": an ethical terror-sublime in "The destiny of nations"; "my soul in agony": the terrors of subjectivity in "The rime of the ancient mariner" -- Representation, Kant, theology: "ye signs and wonders of the element! utter forth God": divine presence and divine withdrawal in the natural sublime; "what never is but only is to be": the ontology of the Coleridgean sublime -- Conclusion: "a specimen of the sublime dashed to pieces": sublimity in The biographia literaria and the limbo constellation.

Coleridge, Language and the Sublime is the first full-length study to engage Coleridge's work through the aesthetics of the sublime. It argues for a double-edged Coleridge whose poetic and metaphysical commitments to transcendence were played out, under the sign of sublimity, against his sharp awareness of weakness and lack. Traversing the themes of language, terror and representation, his position in a conversation about finitude - a conversation that encompasses Longinus, Burke and Kant as well as modern theorists of the sublime - is shown to be an important element of our own post-Romantic legacy. Drawing on close readings of the best known poetry (the Conversation lyrics, The Rime of the Ancient Mariner) as well as more obscure poems, his prose works and notebooks, this study offers a vibrant, alternative Coleridge who is neither the magisterial architect of Romantic idealism, nor disillusioned and dejected, but a profound thinker of what it means to be at the limits of thought, language and experience.

Electronic reproduction.
Basingstoke, England :
Palgrave Macmillan,
2011.

Mode of access: World Wide Web.

ISBN: 9780230295063 (electronic bk.)

Source: 470282Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

393045
Coleridge, Samuel Taylor,
1772-1834--Relations with physicians.Subjects--Topical Terms:

217877
Sublime, The, in literature.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PR4487.S92 / S76 2011

Dewey Class. No.: 821/.7

Coleridge, language and the sublimefrom transcendence to finitude /
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505 0 $a Introduction -- Language, Longinus, emotion: "violently agitated by a real passion": Longinus and Coleridge's effusions; "the self-watching subtilizing mind": the impassioned self in the 1798 Fears in solitude quarto -- Terror, Burke, ethics: "cruel wrongs and strange distress": an ethical terror-sublime in "The destiny of nations"; "my soul in agony": the terrors of subjectivity in "The rime of the ancient mariner" -- Representation, Kant, theology: "ye signs and wonders of the element! utter forth God": divine presence and divine withdrawal in the natural sublime; "what never is but only is to be": the ontology of the Coleridgean sublime -- Conclusion: "a specimen of the sublime dashed to pieces": sublimity in The biographia literaria and the limbo constellation.
520 $a Coleridge, Language and the Sublime is the first full-length study to engage Coleridge's work through the aesthetics of the sublime. It argues for a double-edged Coleridge whose poetic and metaphysical commitments to transcendence were played out, under the sign of sublimity, against his sharp awareness of weakness and lack. Traversing the themes of language, terror and representation, his position in a conversation about finitude - a conversation that encompasses Longinus, Burke and Kant as well as modern theorists of the sublime - is shown to be an important element of our own post-Romantic legacy. Drawing on close readings of the best known poetry (the Conversation lyrics, The Rime of the Ancient Mariner) as well as more obscure poems, his prose works and notebooks, this study offers a vibrant, alternative Coleridge who is neither the magisterial architect of Romantic idealism, nor disillusioned and dejected, but a profound thinker of what it means to be at the limits of thought, language and experience.
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