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Psychoanalyzing cinemaa productive e...
~
Deleuze, Gilles, (1925-1995)
Psychoanalyzing cinemaa productive encounter with Lacan, Deleuze, and Zizek /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Psychoanalyzing cinema[edited by] Jan Jagodzinski.
其他題名:
a productive encounter with Lacan, Deleuze, and Zizek /
其他作者:
Jagodzinski, Jan,
出版者:
New York, NY :Palgrave Macmillan,[2012]
面頁冊數:
1 online resource.
標題:
Psychoanalysis and motion pictures.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137116949
ISBN:
9781137116949 (electronic bk.)
Psychoanalyzing cinemaa productive encounter with Lacan, Deleuze, and Zizek /
Psychoanalyzing cinema
a productive encounter with Lacan, Deleuze, and Zizek /[electronic resource] :[edited by] Jan Jagodzinski. - New York, NY :Palgrave Macmillan,[2012] - 1 online resource.
Includes bibliographical references.
"Brings together and compares/contrasts the writing/influence of the two most important theorists in film studies today: Gilles Deleuze and Slavoj Zizek"--
ISBN: 9781137116949 (electronic bk.)
Source: 612743Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
642722
Lacan, Jacques,
1901-1981--Criticism and interpretation.Subjects--Topical Terms:
215540
Psychoanalysis and motion pictures.
Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PN1995.9.P783 / P795 2012
Dewey Class. No.: 791.43/653
Psychoanalyzing cinemaa productive encounter with Lacan, Deleuze, and Zizek /
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a productive encounter with Lacan, Deleuze, and Zizek /
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[edited by] Jan Jagodzinski.
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New York, NY :
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"Psychoanalysis and schizoanalysis have provided two very powerful approaches to film and its theorization. While the former approach has certainly held the field in terms of theory, the latter position has emerged as its rival, forcing an encounter that needs to be taken seriously. Where does one approach leave off and the other begin? Is there such a break, or has such a line been 'trumped up' by both sides to hold on to their territories? Are both approaches necessary to one another, recalling that Deleuze and Guattari's criticism of psychoanalysis was basically confined to Freud at first. They were quite satisfied with Lacan's development of objet a, or at least as they wrote about it in Anti-Oedipus. A number of theorists have argued that Deleuze and Guattari have 'simply' continued to articulate the Real. To what extent can objet a and the Deleuzian 'event' be theorized as synonymous or complementary concepts? Is the Lacanian sinthome as applied to film comparable to schizoanalysis of film, and what might that be? This is to say, the late Lacan is much more useful to the question(s) than the Lacan of Screen theory etc. A productive encounter (I am utilizing this grapheme ( \/ ) specifically for this encounter) needs to take place to explore the tensions as well as the overlaps that exist between these two approaches. These essays attempt to do just that"--
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