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Imagining human rights in twenty-first century theatreglobal perspectives /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Imagining human rights in twenty-first century theatreedited by Brenda Werth, Florian Nikolas Becker, Paola Hernandez.
其他題名:	global perspectives /
其他作者:	Werth, Brenda G.
出版者:	Basingstoke :Palgrave Macmillan,2013.
面頁冊數:	1 online resource.
標題:	TheaterPolitical aspects.
電子資源:	https://link.springer.com/book/10.1057/9781137027108
ISBN:	9781137027108 (electronic bk.)

Imagining human rights in twenty-first century theatreglobal perspectives /
Imagining human rights in twenty-first century theatreglobal perspectives /[electronic resource] :edited by Brenda Werth, Florian Nikolas Becker, Paola Hernandez. - Basingstoke :Palgrave Macmillan,2013. - 1 online resource.

Foreword: J.Lane -- Introduction: Imagining Human Rights in Twenty-First Century Theatre; F.N.Becker, B.Werth & P.Her�nndez -- PART I: TRANSITIONAL JUSTICE AND CIVIL SOCIETY -- Dead Body Politics: Grupo Cultural Yuyachkani at Peru's Truth Commission; A.Lambright -- Where 'God is Like a Longing': Theatre and Social Vulnerability in Mozambique; L.Madureira -- The ESMA: From Torture Chambers into New Sites of Memory; P.Her�nndez -- Surpassing Metaphors of Violence in Postdictatorial Southern Cone Theatre; B.Werth -- PART II: THE 'WAR ON TERROR' AND THE GLOBAL ECONOMIC ORDER -- Place and Misplaced Rights in Guan�tnamo: Honor Bound to Defend Freedom; L.Mantoan -- Challenging the 'fetish of the verbatim': New Aesthetics and Familiar Abuses in Christine Evans's Slow Falling Bird; C.Wilson -- Stages of Transit: Ras�cn Banda's Hotel J�urez and Sarah Misemer Peveroni's Ber�ln; S.Misemer -- Migrant Melodrama, Human Rights, and Elvira Arellano; A.Puga -- PART III: TRANSNATIONAL PUBLICS -- 'Get up, Stand up, Stand up for your Rights': Transnational Belonging and Rights of Citizenship in Dominican Theatre; C.Stevens -- Theatres of Vigil and Vigilance: A Playwright's Notes on Theatre and Human Rights in the Philippines; J.Barrios -- 'The Spectacle of Our Suffering': Staging the International Human Rights Imaginary in Tony Kushner's Homebody/Kabul; E.Anker -- Broadway Without Borders: Eve Ensler, Lynn Nottage, and the Campaign to End Violence against Women in the Democratic Republic of Congo; K.Bystrom.

There is extraordinary diversity, depth, and complexity in the encounter between theatre, performance, and human rights. Through an examination of a rich repertoire of plays and performance practices from and about countries across six continents, the contributors to this volume seek to open the way toward understanding the character and significance of this encounter. Divided into three interrelated sections, the book focuses on a range of critical and timely human rights questions as they relate to transitional justice, memory politics, citizenship, the 'War on Terror,' transnational spectatorship, and the global economic order. Authors ask what artists, audiences and readers imagine, expect, and desire from the engagement of theatre and performance with these crucial questions. Ultimately, this book aims to provide nuanced, global perspectives on the emerging and transformative aesthetics, ethics and effects of this encounter at the turn of the twenty-first century.

ISBN: 9781137027108 (electronic bk.)

Source: 590920Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

290031
Theater
--Political aspects.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN2051 / .I43 2013

Dewey Class. No.: 792

Imagining human rights in twenty-first century theatreglobal perspectives /
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505 0 $a Foreword: J.Lane -- Introduction: Imagining Human Rights in Twenty-First Century Theatre; F.N.Becker, B.Werth & P.Her�nndez -- PART I: TRANSITIONAL JUSTICE AND CIVIL SOCIETY -- Dead Body Politics: Grupo Cultural Yuyachkani at Peru's Truth Commission; A.Lambright -- Where 'God is Like a Longing': Theatre and Social Vulnerability in Mozambique; L.Madureira -- The ESMA: From Torture Chambers into New Sites of Memory; P.Her�nndez -- Surpassing Metaphors of Violence in Postdictatorial Southern Cone Theatre; B.Werth -- PART II: THE 'WAR ON TERROR' AND THE GLOBAL ECONOMIC ORDER -- Place and Misplaced Rights in Guan�tnamo: Honor Bound to Defend Freedom; L.Mantoan -- Challenging the 'fetish of the verbatim': New Aesthetics and Familiar Abuses in Christine Evans's Slow Falling Bird; C.Wilson -- Stages of Transit: Ras�cn Banda's Hotel J�urez and Sarah Misemer Peveroni's Ber�ln; S.Misemer -- Migrant Melodrama, Human Rights, and Elvira Arellano; A.Puga -- PART III: TRANSNATIONAL PUBLICS -- 'Get up, Stand up, Stand up for your Rights': Transnational Belonging and Rights of Citizenship in Dominican Theatre; C.Stevens -- Theatres of Vigil and Vigilance: A Playwright's Notes on Theatre and Human Rights in the Philippines; J.Barrios -- 'The Spectacle of Our Suffering': Staging the International Human Rights Imaginary in Tony Kushner's Homebody/Kabul; E.Anker -- Broadway Without Borders: Eve Ensler, Lynn Nottage, and the Campaign to End Violence against Women in the Democratic Republic of Congo; K.Bystrom.
520 $a There is extraordinary diversity, depth, and complexity in the encounter between theatre, performance, and human rights. Through an examination of a rich repertoire of plays and performance practices from and about countries across six continents, the contributors to this volume seek to open the way toward understanding the character and significance of this encounter. Divided into three interrelated sections, the book focuses on a range of critical and timely human rights questions as they relate to transitional justice, memory politics, citizenship, the 'War on Terror,' transnational spectatorship, and the global economic order. Authors ask what artists, audiences and readers imagine, expect, and desire from the engagement of theatre and performance with these crucial questions. Ultimately, this book aims to provide nuanced, global perspectives on the emerging and transformative aesthetics, ethics and effects of this encounter at the turn of the twenty-first century.
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