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Poet heroines in medieval French nar...
~
Findley, Brooke Heidenreich, (1972-)
Poet heroines in medieval French narrativegender and fictions of literary creation /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Poet heroines in medieval French narrativeBrooke Heidenreich Findley.
其他題名:
gender and fictions of literary creation /
作者:
Findley, Brooke Heidenreich,
出版者:
New York :Palgrave Macmillan,2012.
面頁冊數:
1 online resource (xiv, 267 p.)
標題:
French literatureHistory and criticism.To 1500
電子資源:
An electronic book accessible through the World Wide Web; click for information
ISBN:
9781137113061 (electronic bk.)
Poet heroines in medieval French narrativegender and fictions of literary creation /
Findley, Brooke Heidenreich,1972-
Poet heroines in medieval French narrative
gender and fictions of literary creation /[electronic resource] :Brooke Heidenreich Findley. - 1st ed. - New York :Palgrave Macmillan,2012. - 1 online resource (xiv, 267 p.) - The new Middle Ages. - New Middle Ages (Palgrave Macmillan (Firm)).
Includes bibliographical references and index.
Introduction: authors, writers, singers, and women: gendering literary creation in medieval French culture -- From minstrel heroine to poet heroine: the thirteenth century and beyond. Singing from a woman's body: minstrel heroines as performers and texts; The parrot and the swan: performance and composition in Sone de Nansay -- Dangerous muses: Toute Belle and her sisters in the fourteenth century dit ; Competing perspectives: Guillaume de Machaut's Voir dit; A contemporary reaction to the Voir dit: deadly words and captive imaginations in Jean Froissart's Prison amoureuse -- Women at the origins: fifteenth century prose romance. Verbal prowess: women's artistry and men's chivalry in Perceforest; Women writers and the monstrous author in Ysa�ye le Triste -- Conclusion: what about Christine?.
Studies of women and writing frequently take historical woman authors as their starting point, reading through the feminine signature and the biological trace that it is assumed to represent. Poet Heroines in Medieval French Narrative proposes a different approach, looking instead at the numerous fictional female characters of 13th-15th century French narrative who are portrayed as composing and performing poetry, and whose gendered literary activity links writing, singing, the body, and performance. Such figures represent a promising new area of exploration in women's literary history, one based on the texts themselves rather than the uncertain circumstances of their composition.
ISBN: 9781137113061 (electronic bk.)
Source: 612355Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:
198867
French literature
--History and criticism.--To 1500Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PQ188 / .F56 2012
Dewey Class. No.: 840.9/92870902
Poet heroines in medieval French narrativegender and fictions of literary creation /
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Introduction: authors, writers, singers, and women: gendering literary creation in medieval French culture -- From minstrel heroine to poet heroine: the thirteenth century and beyond. Singing from a woman's body: minstrel heroines as performers and texts; The parrot and the swan: performance and composition in Sone de Nansay -- Dangerous muses: Toute Belle and her sisters in the fourteenth century dit ; Competing perspectives: Guillaume de Machaut's Voir dit; A contemporary reaction to the Voir dit: deadly words and captive imaginations in Jean Froissart's Prison amoureuse -- Women at the origins: fifteenth century prose romance. Verbal prowess: women's artistry and men's chivalry in Perceforest; Women writers and the monstrous author in Ysa�ye le Triste -- Conclusion: what about Christine?.
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Studies of women and writing frequently take historical woman authors as their starting point, reading through the feminine signature and the biological trace that it is assumed to represent. Poet Heroines in Medieval French Narrative proposes a different approach, looking instead at the numerous fictional female characters of 13th-15th century French narrative who are portrayed as composing and performing poetry, and whose gendered literary activity links writing, singing, the body, and performance. Such figures represent a promising new area of exploration in women's literary history, one based on the texts themselves rather than the uncertain circumstances of their composition.
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