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Millennial cinemamemory in global film /

McSweeney, Terence, (1974-)

Millennial cinemamemory in global film /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Millennial cinemaedited by Amresh Sinha and Terence McSweeney.
其他題名:	memory in global film /
其他作者:	McSweeney, Terence,
出版者:	New York :Columbia University Press,2012.
面頁冊數:	xvi, 248 p. :ill. ;25 cm.
附註:	Includes bibliographical references and index.
標題:	Memory in motion pictures.
電子資源:	http://portal.igpublish.com/iglibrary/search/COLB0001746.html
ISBN:	0231161921 (cloth : acid-free paper)

Millennial cinemamemory in global film /
Millennial cinemamemory in global film /[electronic resource] :edited by Amresh Sinha and Terence McSweeney. - New York :Columbia University Press,2012. - xvi, 248 p. :ill. ;25 cm.

Includes bibliographical references and index.

In spite of the overwhelming interest in the study of memory and trauma, no single volume has yet explored the centrality of memory to films of this era in a global context; this volume is the first anthology devoted exclusively to the study of memory in twenty-first-century cinema. Combining individual readings and interdisciplinary methodologies, this book offers new analyses of memory and trauma in some of the most discussed and debated films of the new millennium: 'Pan's Labyrinth' (2006), 'The Namesake' (2006), 'Hidden' (2005), 'Eternal Sunshine of the Spotless Mind' (2004), 'Oldboy' (2003), 'City of God' (2002), 'Irreversible' (2002), 'Mulholland Drive' (2001), 'Memento' (2000), and 'In the Mood for Love' (2000).

ISBN: 0231161921 (cloth : acid-free paper)Subjects--Topical Terms:

625846
Memory in motion pictures.

LC Class. No.: PN1995.9.M455 / M55 2011

Dewey Class. No.: 791

Millennial cinemamemory in global film /
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520 8 $a In spite of the overwhelming interest in the study of memory and trauma, no single volume has yet explored the centrality of memory to films of this era in a global context; this volume is the first anthology devoted exclusively to the study of memory in twenty-first-century cinema. Combining individual readings and interdisciplinary methodologies, this book offers new analyses of memory and trauma in some of the most discussed and debated films of the new millennium: 'Pan's Labyrinth' (2006), 'The Namesake' (2006), 'Hidden' (2005), 'Eternal Sunshine of the Spotless Mind' (2004), 'Oldboy' (2003), 'City of God' (2002), 'Irreversible' (2002), 'Mulholland Drive' (2001), 'Memento' (2000), and 'In the Mood for Love' (2000).
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