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The writer on film :screening litera...

Buchanan, Judith,

The writer on film :screening literary authorship /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The writer on film :edited by Judith Buchanan.
其他題名:	screening literary authorship /
其他作者:	Buchanan, Judith,
面頁冊數:	1 online resource (xiv, 270 pages) :illustrations.
標題:	Authors in motion pictures.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137332066
ISBN:	1137332069 (electronic bk.)

The writer on film :screening literary authorship /
The writer on film :screening literary authorship /edited by Judith Buchanan. - 1 online resource (xiv, 270 pages) :illustrations.

Includes bibliographical references (pages 264-258) and index.

Introduction: Shakespeare, Cinema and Desire -- 1. Something from Nothing: King Lear and Film Space -- 2. Body Space: The Sublime Cleopatra -- 3. Ghost Time: Unfolding "Hamlet" -- 4. Re-nascences: "The Tempest" and New Media .

"Recent years have seen a striking surge in the production of literary biopics. Writers turned cinema subject in recent films include Shakespeare, Jane Austen, Virginia Woolf, Iris Murdoch, Dylan Thomas, Sylvia Plath, Ted Hughes, Lillian Hellman, Allen Ginsberg, Kafka, Keats, Kaufman, and many more. This cultural phenomenon prompts a re-examination of a long and varied history of cinematic engagements with authorial creativity. The Writer on Film examines films about writers, real and fictional, from the silent era to the present. It asks how filmmakers have narratively and iconographically configured writers' lives and acts of writing. How might the mysterious processes of a literary imagination at work be cinematically expressed? What views of inspiration, muses, redrafting and publication have films taken and how, in cinematic representation, have these been gendered? How has cinema chosen to configure the tools and symbols of writing - quills, pens, ink pots, desks, studies, typewriters, keyboards and books? And what cultural and commercial agendas are revealed in cinema's compulsive return not just to literary material (whose story is already well told) but, specifically, to literary process (whose story is not)? Case studies include Diary of a Country Priest, Letter from an Unknown Woman, Julia, My Brilliant Career, Prospero's Books, Adaptation, Shakespeare in Love, Sylvia, The Lives of Others, Becoming Jane, Atonement, Bright Star, Enid and Howl"--

ISBN: 1137332069 (electronic bk.)

Source: 670516Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

644629
Authors in motion pictures.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1995.9.A84 / W75 2013

Dewey Class. No.: 791.43/651

The writer on film :screening literary authorship /
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245 0 4 $a The writer on film : $b screening literary authorship / $c edited by Judith Buchanan.
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300 $a 1 online resource (xiv, 270 pages) : $b illustrations.
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504 $a Includes bibliographical references (pages 264-258) and index.
504 $a Includes bibliographical references.
505 0 $a Introduction: Shakespeare, Cinema and Desire -- 1. Something from Nothing: King Lear and Film Space -- 2. Body Space: The Sublime Cleopatra -- 3. Ghost Time: Unfolding "Hamlet" -- 4. Re-nascences: "The Tempest" and New Media .
520 $a "Recent years have seen a striking surge in the production of literary biopics. Writers turned cinema subject in recent films include Shakespeare, Jane Austen, Virginia Woolf, Iris Murdoch, Dylan Thomas, Sylvia Plath, Ted Hughes, Lillian Hellman, Allen Ginsberg, Kafka, Keats, Kaufman, and many more. This cultural phenomenon prompts a re-examination of a long and varied history of cinematic engagements with authorial creativity. The Writer on Film examines films about writers, real and fictional, from the silent era to the present. It asks how filmmakers have narratively and iconographically configured writers' lives and acts of writing. How might the mysterious processes of a literary imagination at work be cinematically expressed? What views of inspiration, muses, redrafting and publication have films taken and how, in cinematic representation, have these been gendered? How has cinema chosen to configure the tools and symbols of writing - quills, pens, ink pots, desks, studies, typewriters, keyboards and books? And what cultural and commercial agendas are revealed in cinema's compulsive return not just to literary material (whose story is already well told) but, specifically, to literary process (whose story is not)? Case studies include Diary of a Country Priest, Letter from an Unknown Woman, Julia, My Brilliant Career, Prospero's Books, Adaptation, Shakespeare in Love, Sylvia, The Lives of Others, Becoming Jane, Atonement, Bright Star, Enid and Howl"-- $c Provided by publisher.
588 $a Description based on print version record.
650 0 $a Authors in motion pictures. $3 644629
650 0 $a Writing in motion pictures. $3 644630
650 7 $a Authors. $3 320124
650 7 $a Motion pictures. $3 179142
650 7 $a PERFORMING ARTS / Film & Video / General. $2 bisacsh $3 564898
650 7 $a PERFORMING ARTS / Film & Video / History & Criticism. $2 bisacsh $3 564897
650 7 $a PERFORMING ARTS / Reference $2 bisacsh $3 584618
650 7 $a SOCIAL SCIENCE / Media Studies. $2 bisacsh $3 564624
650 7 $a Writing. $3 177624
655 4 $a Electronic books. $2 local. $3 214472
700 1 $a Buchanan, Judith, $e editor of compilation. $3 686046
776 $6 403834 $t The writer on film
856 4 0 $3 Palgrave Connect $u http://www.palgraveconnect.com/doifinder/10.1057/9781137332066