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The postfeminist biopic :narrating t...

Austen, Jane, (1775-1817)

The postfeminist biopic :narrating the lives of Plath, Kahlo, Woolf and Austen /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The postfeminist biopic :Bronwyn Polaschek.
其他題名:	narrating the lives of Plath, Kahlo, Woolf and Austen /
作者:	Polaschek, Bronwyn,
面頁冊數:	1 online resource.
標題:	Biographical filmsHistory and criticism.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137273482
ISBN:	1137273488 (electronic bk.)

The postfeminist biopic :narrating the lives of Plath, Kahlo, Woolf and Austen /
Polaschek, Bronwyn,

The postfeminist biopic :narrating the lives of Plath, Kahlo, Woolf and Austen /Bronwyn Polaschek. - 1 online resource.

Includes bibliographical references and index.

1. Feminist Film Theory and Postfeminist Culture -- 2. The Biopic Genre -- 3. The Postfeminist Historical Woman in Sylvia -- 4. Frida and the Postfeminist Artist Biopic -- 5. The Hours, Feminisms and Women's Art -- 6. Postfeminist Spectatorship in Becoming Jane -- Conclusion: The Postfeminist Biopic.

"The Postfeminist Biopic" explores the influence of postfeminist culture on cinematic representations of female biographies. While earlier research has described the subgenres of the classical female biopic and the feminist biopic, Polaschek proposes a third subgenre, the postfeminist biopic, which has appeared as part of a broader trend of reviving and reconfiguring classical genre forms aimed at women. The book explores the conventions of the postfeminist biopic through a close analysis of four films that represent the lives of women who are established members of the second-wave feminist canon: "Sylvia" (Christine Jeffs, 2003), which depicts the life of the American poet Sylvia Plath; "Frida" (Julie Taymor, 2002), about the Mexican painter Frida Kahlo;" The Hours "(Stephen Daldry, 2002), which includes a biographical narrative about the English novelist and critic Virginia Woolf; and "Becoming Jane" (Julian Jarrold, 2006), a fictionalized interpretation of the coming of age of the English novelist Jane Austen.

ISBN: 1137273488 (electronic bk.)

Source: 634398Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

434712
Austen, Jane,
1775-1817--Criticism and interpretation.Subjects--Topical Terms:

292336
Biographical films
--History and criticism.Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1995.9.B55

Dewey Class. No.: 791.43/651

The postfeminist biopic :narrating the lives of Plath, Kahlo, Woolf and Austen /
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505 0 $a 1. Feminist Film Theory and Postfeminist Culture -- 2. The Biopic Genre -- 3. The Postfeminist Historical Woman in Sylvia -- 4. Frida and the Postfeminist Artist Biopic -- 5. The Hours, Feminisms and Women's Art -- 6. Postfeminist Spectatorship in Becoming Jane -- Conclusion: The Postfeminist Biopic.
520 $a "The Postfeminist Biopic" explores the influence of postfeminist culture on cinematic representations of female biographies. While earlier research has described the subgenres of the classical female biopic and the feminist biopic, Polaschek proposes a third subgenre, the postfeminist biopic, which has appeared as part of a broader trend of reviving and reconfiguring classical genre forms aimed at women. The book explores the conventions of the postfeminist biopic through a close analysis of four films that represent the lives of women who are established members of the second-wave feminist canon: "Sylvia" (Christine Jeffs, 2003), which depicts the life of the American poet Sylvia Plath; "Frida" (Julie Taymor, 2002), about the Mexican painter Frida Kahlo;" The Hours "(Stephen Daldry, 2002), which includes a biographical narrative about the English novelist and critic Virginia Woolf; and "Becoming Jane" (Julian Jarrold, 2006), a fictionalized interpretation of the coming of age of the English novelist Jane Austen.
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600 1 0 $a Woolf, Virginia, $d 1882-1941 $x Criticism and interpretation. $3 398598
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