國立高雄大學圖資館 |

登入

回首頁

Sinophone cinemas /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Sinophone cinemas /edited by Audrey Yue, The University of Melbourne, Australia, and Olivia Khoo, Monash University, Australia.
其他作者:	Khoo, Olivia,
面頁冊數:	1 online resource.
標題:	Motion picture producers and directorsChina.
標題:	China.
電子資源:	https://link.springer.com/book/10.1057/9781137311207
ISBN:	1137311207 (electronic bk.)

Sinophone cinemas /
Sinophone cinemas /edited by Audrey Yue, The University of Melbourne, Australia, and Olivia Khoo, Monash University, Australia. - 1 online resource.

Includes bibliographical references.

Foreword: The Sinophone Redistribution of the Audible; Shih Shu-mei -- Acknowledgments -- Notes on Chinese names and film titles -- PART I: THEORISING SINOPHONE CINEMAS -- 1. Framing Sinophone Cinemas; Audrey Yue and Olivia Khoo -- 2. Genealogies of Four Critical Paradigms in Chinese-Language Film Studies; Sheldon Lu -- 3. Alter-centering Sinophone Cinema; Yiman Wang -- 4. Festivals, Censorship and the Canon: the Makings of Sinophone Cinemas; Yifen T. Beus -- 5. The Voice of the Sinophone; Song Hwee Lim -- 6. The Sounds of Language: Tan Pin Pin's Sinophone Cinema; Olivia Khoo -- PART II: CONTEMPORARY SINOPHONE CINEMAS -- 7. Mandarin Pop Meets Tokyo Jazz: Gender and Popular Youth Culture in Late 1960s Hong Kong Musicals; Jennifer Feeley -- 8. Sinophone Libidinal Economy in the Age of Neoliberalisation and Mainlandisation: Masculinities in Hong Kong SAR New Wave Cinema; Mirana M. Szeto -- 9. 'Singlish' and the Sinophone: Nonstandard (Chinese/English) Languages in Recent Singaporean cinema; Alison M. Groppe -- 10. British Chinese Short Films: Challenging the Limits of the Sinophone; Felicia Chan and Andy Willis -- 11. Contemporary Sinophone Cinema: Australia-China Co-Productions; Audrey Yue.

"Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China. Showcasing a variety of new and fascinating case studies from Britain, Hong Kong, Taiwan, Singapore and Australia, and canvassing a range of formats including commercial co-productions, short films, documentaries and independent films, the book highlights the contemporary screen cultures of Chinese-language communities situated on the margins of China and Chineseness. It engages new sites of localisation, multilingualism, and difference that have emerged in Chinese film studies, ones that are not easily contained by the notion of diaspora. The chapters cover a number of historical periods, geographical locations, and critical and methodological perspectives, such as the political economy of Sinophone film production, distribution, consumption and regulation; cinematic practices of Chinese and non-Chinese language resistance, complicity and transformation; and Sinophone communities as sites of cultural production and visual economies"--

ISBN: 1137311207 (electronic bk.)

Source: 660590Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Topical Terms:

687488
Motion picture producers and directors
--China.Subjects--Geographical Terms:

475137
China.
Index Terms--Genre/Form:

214472
Electronic books.

LC Class. No.: PN1993.5.C4 / S84 2014

Dewey Class. No.: 791.43089/951

Sinophone cinemas /
LDR:03813cmm a2200385Ki 4500 001 438671
003 OCoLC
005 20140910115802.0
006 m o d
007 cr cnu---unuuu
008 150123s2014 enk ob 000 0 eng d
020 $a 1137311207 (electronic bk.)
020 $a 9781137311207 (electronic bk.)
029 1 $a DKDLA $b 820120-katalog:000657111
029 1 $a NLGGC $b 371318157
035 $a (OCoLC)868659736
035 $a ocn868659736
037 $a 660590 $b Palgrave Macmillan $n http://www.palgraveconnect.com
040 $a UKPGM $b eng $e rda $e pn $c UKPGM $d OCLCO $d IDEBK $d CDX $d DKDLA $d N $d E7B $d OCLCF
043 $a a-cc---
049 $a TEFA
050 4 $a PN1993.5.C4 $b S84 2014
072 7 $a PER $x 009000 $2 bisacsh
082 0 4 $a 791.43089/951 $2 23
245 0 0 $a Sinophone cinemas / $c edited by Audrey Yue, The University of Melbourne, Australia, and Olivia Khoo, Monash University, Australia.
264 1 $a Houndmills, Basingstoke, Hampshire ; $a New York, NY : $b Palgrave Macmillan, $c 2014.
300 $a 1 online resource.
336 $a text $b txt $2 rdacontent
337 $a computer $b c $2 rdamedia
338 $a online resource $b cr $2 rdacarrier
504 $a Includes bibliographical references.
505 0 $a Foreword: The Sinophone Redistribution of the Audible; Shih Shu-mei -- Acknowledgments -- Notes on Chinese names and film titles -- PART I: THEORISING SINOPHONE CINEMAS -- 1. Framing Sinophone Cinemas; Audrey Yue and Olivia Khoo -- 2. Genealogies of Four Critical Paradigms in Chinese-Language Film Studies; Sheldon Lu -- 3. Alter-centering Sinophone Cinema; Yiman Wang -- 4. Festivals, Censorship and the Canon: the Makings of Sinophone Cinemas; Yifen T. Beus -- 5. The Voice of the Sinophone; Song Hwee Lim -- 6. The Sounds of Language: Tan Pin Pin's Sinophone Cinema; Olivia Khoo -- PART II: CONTEMPORARY SINOPHONE CINEMAS -- 7. Mandarin Pop Meets Tokyo Jazz: Gender and Popular Youth Culture in Late 1960s Hong Kong Musicals; Jennifer Feeley -- 8. Sinophone Libidinal Economy in the Age of Neoliberalisation and Mainlandisation: Masculinities in Hong Kong SAR New Wave Cinema; Mirana M. Szeto -- 9. 'Singlish' and the Sinophone: Nonstandard (Chinese/English) Languages in Recent Singaporean cinema; Alison M. Groppe -- 10. British Chinese Short Films: Challenging the Limits of the Sinophone; Felicia Chan and Andy Willis -- 11. Contemporary Sinophone Cinema: Australia-China Co-Productions; Audrey Yue.
520 $a "Sinophone Cinemas considers a range of multilingual, multidialect and multi-accented cinemas produced in Chinese-language locations outside mainland China. Showcasing a variety of new and fascinating case studies from Britain, Hong Kong, Taiwan, Singapore and Australia, and canvassing a range of formats including commercial co-productions, short films, documentaries and independent films, the book highlights the contemporary screen cultures of Chinese-language communities situated on the margins of China and Chineseness. It engages new sites of localisation, multilingualism, and difference that have emerged in Chinese film studies, ones that are not easily contained by the notion of diaspora. The chapters cover a number of historical periods, geographical locations, and critical and methodological perspectives, such as the political economy of Sinophone film production, distribution, consumption and regulation; cinematic practices of Chinese and non-Chinese language resistance, complicity and transformation; and Sinophone communities as sites of cultural production and visual economies"-- $c Provided by publisher.
588 $a Description based on print version record.
650 0 $a Motion picture producers and directors $z China. $3 687488
650 0 $a Motion pictures $z China. $3 179153
650 0 $a Motion pictures, Chinese. $3 687489
650 7 $a Films, cinema $z China $2 bicssc $3 687490
650 7 $a Motion picture producers and directors. $3 306883
650 7 $a Motion pictures. $3 179142
650 7 $a PERFORMING ARTS / Film & Video / General. $2 bisacsh $3 564898
650 7 $a PERFORMING ARTS / Film & Video / History & Criticism. $2 bisacsh $3 564897
650 7 $a PERFORMING ARTS / Reference $2 bisacsh $3 584618
650 7 $a Performing Arts $3 254697
650 7 $a SOCIAL SCIENCE / Media Studies. $2 bisacsh $3 564624
651 7 $a China. $2 gtt $3 475137
655 4 $a Electronic books. $2 local. $3 214472
700 1 $a Khoo, Olivia, $e editor of compilation. $3 687486
700 1 $a Yue, Audrey, $e editor of compilation. $3 687487
776 0 8 $i Print version: $t Sinophone cinemas $z 9781137311191 $w (DLC) 2013044656 $w (OCoLC)852224843
856 4 0 $3 Palgrave Connect $u https://link.springer.com/book/10.1057/9781137311207