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Race and identity in D. H. Lawrence ...

Lawrence, D. H. (1885-1930)

Race and identity in D. H. Lawrence :Indians, Gypsies, and Jews /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Race and identity in D. H. Lawrence :Judith Ruderman.
其他題名:	Indians, Gypsies, and Jews /
作者:	Ruderman, Judith,
面頁冊數:	1 online resource (xi, 292 pages)
標題:	Jews in literature.
電子資源:	http://www.palgraveconnect.com/doifinder/10.1057/9781137398833
ISBN:	1137398833 (electronic bk.)

Race and identity in D. H. Lawrence :Indians, Gypsies, and Jews /
Ruderman, Judith,1943-

Race and identity in D. H. Lawrence :Indians, Gypsies, and Jews /Judith Ruderman. - 1 online resource (xi, 292 pages)

1.Introduction: D. H. Lawrence and the Racial Other -- 2.Lawrence and the 'Jewish Problem': Reflections on a Self-Confessed 'Hebrophobe' -- 3.An 'Englishman at Heart'? Lawrence, the Jews, and the National Identity Debates -- 4.'Doing a Zion stunt': Lawrence in his Land(s) of Milk and Honey -- 5.Lawrence and the Indian: Apprehending 'Culture' in the American Southwest -- 6.Lawrence's Caravan of Gypsy Identities -- 7.(Ad)dressing Identity: Clothing as Artifice and Authenticity -- 8.Cleanliness and Fitness: The Role of the Racial Other in Conceptions of Health -- 9.Conclusion: Crossing or Enforcing the Border: Purity, Hybridity, and the Concept of Race -- 10. Appendix: Race vs. Ethnicity: The Case of the Gypsies.

With its focus on D. H. Lawrence's attitudes toward Indians, Gypsies, and Jews, "Race and Identity in D. H. Lawrence" examines how concepts about race are created and transmitted; how they are appropriated and sometimes transformed; and how individual and national identities relate to racial otherness. Setting Lawrence in his context(s) reveals how his personal circumstances combined with societal influences to shape his adoption and adaptation of stereotypes about minorities. His own ambivalent relationships with the racial other, and the ties between that ambivalence, his affiliation with 'Englishness', and his search for a better society, are at once revealing of his culture and particular to him as an individual. Lawrence's art tells 'the truth of the day', as he said good art does, but it also tells the truth of the artist, and of other days. His honesty on the subject, even if - even when - it offends, can inform and enliven our contemporary discussions of race and ethnicity.

ISBN: 1137398833 (electronic bk.)

Source: 748929Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:

398608
Lawrence, D. H.
1885-1930--KnowledgeSubjects--Topical Terms:

174140
Jews in literature.
Index Terms--Genre/Form:

685464
Criticism, interpretation, etc.

LC Class. No.: PR6023.A93

Dewey Class. No.: 823/.912

Race and identity in D. H. Lawrence :Indians, Gypsies, and Jews /
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505 0 $a 1.Introduction: D. H. Lawrence and the Racial Other -- 2.Lawrence and the 'Jewish Problem': Reflections on a Self-Confessed 'Hebrophobe' -- 3.An 'Englishman at Heart'? Lawrence, the Jews, and the National Identity Debates -- 4.'Doing a Zion stunt': Lawrence in his Land(s) of Milk and Honey -- 5.Lawrence and the Indian: Apprehending 'Culture' in the American Southwest -- 6.Lawrence's Caravan of Gypsy Identities -- 7.(Ad)dressing Identity: Clothing as Artifice and Authenticity -- 8.Cleanliness and Fitness: The Role of the Racial Other in Conceptions of Health -- 9.Conclusion: Crossing or Enforcing the Border: Purity, Hybridity, and the Concept of Race -- 10. Appendix: Race vs. Ethnicity: The Case of the Gypsies.
520 $a With its focus on D. H. Lawrence's attitudes toward Indians, Gypsies, and Jews, "Race and Identity in D. H. Lawrence" examines how concepts about race are created and transmitted; how they are appropriated and sometimes transformed; and how individual and national identities relate to racial otherness. Setting Lawrence in his context(s) reveals how his personal circumstances combined with societal influences to shape his adoption and adaptation of stereotypes about minorities. His own ambivalent relationships with the racial other, and the ties between that ambivalence, his affiliation with 'Englishness', and his search for a better society, are at once revealing of his culture and particular to him as an individual. Lawrence's art tells 'the truth of the day', as he said good art does, but it also tells the truth of the artist, and of other days. His honesty on the subject, even if - even when - it offends, can inform and enliven our contemporary discussions of race and ethnicity.
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