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The creation and re-creation of Card...
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Bourus, Terri,
The creation and re-creation of Cardenio :performing Shakespeare, transforming Cervantes /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The creation and re-creation of Cardenio :edited by Terri Bourus and Gary Taylor.
其他題名:
performing Shakespeare, transforming Cervantes /
其他作者:
Bourus, Terri,
面頁冊數:
1 online resource (xviii, 329 pages) :illustrations.
標題:
Authorship.
電子資源:
http://www.palgraveconnect.com/doifinder/10.1057/9781137344229
ISBN:
1137344229 (electronic bk.)
The creation and re-creation of Cardenio :performing Shakespeare, transforming Cervantes /
The creation and re-creation of Cardenio :
performing Shakespeare, transforming Cervantes /edited by Terri Bourus and Gary Taylor. - First edition. - 1 online resource (xviii, 329 pages) :illustrations.
Includes bibliographical references and index.
Mr. Fletcher & Shakespeare (& Theobald) / Roger Chartier ; trans Kevin C. Robbins -- The passion of readers, the imitation of texts: the history of reading in the quest for Cardenio / Elizabeth Spiller -- Reading Cervantes, or Shelton, or Phillips?: the source(s) for Cardenio and Double falsehood / Gary Taylor and Steven Wagschal -- The 1612 Don Quixote and the Windet-Stansby printing house / David L. Gants -- Quixote on the English stage: a new glimpse of the history of Cardenio? / Gerald Baker -- Blessed with a baby or "bum-fidled with a bastard": maternity in Fletcher The chances and Cervantes' Novela de la Sen��ora Cornelia / Joyce Boro -- Girls on the run: Love's pilgrimage, The coxcomb, and Double falsehood / Christopher Hicklin -- Furious soldiers and mad lovers: plotting Fletcher and The history of Cardenio / Vimala C. Pasupathi -- "Shall I never see a lusty man again?": John Fletcher's men, 1608-1715 / Huw Griffiths -- Shakespeare, Theobald, and the prose problem in Double falsehood / John V. Nance -- Sleight of mind: cognitive illusions and Shakespearian desire / Gary Taylor -- The unscene and unstaged in Double falsehood, Cardenio, and Shakespeare's romances / Lori Leigh -- Performing Spanish culture through flamenco: aurality and embodiment in the Royal Shakespeare Company's Cardenio / Carla Della Gatta -- Poner enescena: The history of Cardenio / Terri Bourus -- Time begets a wonder: The history of Cardenio at IUPUI / Gerald Baker -- Cardenio: Shakespeare's lost race play? / Ayanna Thompson -- A posthumous collaborator's preface / Gary Taylor -- The history of Cardenio, 1612-2012 / John Fletcher, William Shakespeare, and Gary Taylor.
Did Shakespeare really join John Fletcher to write Cardenio, a lost play based on Don Quixote? In 2009, the world's first academic symposium dedicated to the "lost play" was convened in New Zealand. Since then, a flurry of activity has confirmed the play's place in the literary canon. Drawing on cutting-edge scholarship and organized around the first full-scale production of Gary Taylor's recreation of the Jacobean play, these sixteen essays suggest the play was not "lost" but was instead deliberately "disappeared" because of its controversial treatment of race and sexuality. Breaking new ground, this collection gives equal attention to Shakespeare, Cervantes, and Fletcher. With an emphasis on the importance of theatrical experiment and performance, a copy of Taylor's script, a photographic record of Bourus's production, and historical research by respected scholars in the fields of early modern England and Spain, this book makes a bold and definitive statement about the collaborative nature of Cardenio.
ISBN: 1137344229 (electronic bk.)
Source: 665884Palgrave Macmillanhttp://www.palgraveconnect.comSubjects--Personal Names:
443305
Cervantes Saavedra, Miguel de,
1547-1616--Criticism and interpretation.Subjects--Uniform Titles:
Second maiden's tragedy.
Subjects--Topical Terms:
177841
Authorship.
Index Terms--Genre/Form:
214472
Electronic books.
LC Class. No.: PR2411.S3 / C74 2013
Dewey Class. No.: 822/.3
The creation and re-creation of Cardenio :performing Shakespeare, transforming Cervantes /
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performing Shakespeare, transforming Cervantes /
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Mr. Fletcher & Shakespeare (& Theobald) / Roger Chartier ; trans Kevin C. Robbins -- The passion of readers, the imitation of texts: the history of reading in the quest for Cardenio / Elizabeth Spiller -- Reading Cervantes, or Shelton, or Phillips?: the source(s) for Cardenio and Double falsehood / Gary Taylor and Steven Wagschal -- The 1612 Don Quixote and the Windet-Stansby printing house / David L. Gants -- Quixote on the English stage: a new glimpse of the history of Cardenio? / Gerald Baker -- Blessed with a baby or "bum-fidled with a bastard": maternity in Fletcher The chances and Cervantes' Novela de la Sen��ora Cornelia / Joyce Boro -- Girls on the run: Love's pilgrimage, The coxcomb, and Double falsehood / Christopher Hicklin -- Furious soldiers and mad lovers: plotting Fletcher and The history of Cardenio / Vimala C. Pasupathi -- "Shall I never see a lusty man again?": John Fletcher's men, 1608-1715 / Huw Griffiths -- Shakespeare, Theobald, and the prose problem in Double falsehood / John V. Nance -- Sleight of mind: cognitive illusions and Shakespearian desire / Gary Taylor -- The unscene and unstaged in Double falsehood, Cardenio, and Shakespeare's romances / Lori Leigh -- Performing Spanish culture through flamenco: aurality and embodiment in the Royal Shakespeare Company's Cardenio / Carla Della Gatta -- Poner enescena: The history of Cardenio / Terri Bourus -- Time begets a wonder: The history of Cardenio at IUPUI / Gerald Baker -- Cardenio: Shakespeare's lost race play? / Ayanna Thompson -- A posthumous collaborator's preface / Gary Taylor -- The history of Cardenio, 1612-2012 / John Fletcher, William Shakespeare, and Gary Taylor.
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Did Shakespeare really join John Fletcher to write Cardenio, a lost play based on Don Quixote? In 2009, the world's first academic symposium dedicated to the "lost play" was convened in New Zealand. Since then, a flurry of activity has confirmed the play's place in the literary canon. Drawing on cutting-edge scholarship and organized around the first full-scale production of Gary Taylor's recreation of the Jacobean play, these sixteen essays suggest the play was not "lost" but was instead deliberately "disappeared" because of its controversial treatment of race and sexuality. Breaking new ground, this collection gives equal attention to Shakespeare, Cervantes, and Fletcher. With an emphasis on the importance of theatrical experiment and performance, a copy of Taylor's script, a photographic record of Bourus's production, and historical research by respected scholars in the fields of early modern England and Spain, this book makes a bold and definitive statement about the collaborative nature of Cardenio.
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