國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Class divisions on the Broadway stag...

Industrial Workers of the World

Class divisions on the Broadway stagethe staging and taming of the I.W.W. /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Class divisions on the Broadway stageMichael Schwartz.
其他題名:	the staging and taming of the I.W.W. /
作者:	Schwartz, Michael,
出版者:	Basingstoke :Palgrave Macmillan :2014.
面頁冊數:	208 p.
附註:	Electronic book text.
附註:	Epublication based on: 9781137353047, 2014.
標題:	American dramaHistory and criticism20th century.
電子資源:	Online journal 'available contents' page
ISBN:	1137353058 (electronic bk.) :

Class divisions on the Broadway stagethe staging and taming of the I.W.W. /
Schwartz, Michael,1963 Oct. 18-

Class divisions on the Broadway stagethe staging and taming of the I.W.W. /[electronic resource] :Michael Schwartz. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 208 p. - Palgrave studies in theatre and performance history.

Electronic book text.

1. To Stop the World: The Most Stupendous Impossibles 2. Where Do I Get Off At? The Wobblies Spurns the Hairy Ape 3. No Kick Coming: The Romantic Wobbly of Sidney Howard's They Knew What They Wanted 4. Jazzing the Wobblies: John Howard Lawson's Processionals 5. Dead Hand of the Dead: Anderson and Hickerson's Gods of the Lightning 6. We Even Sing 'em in Jap and Chink: Upton Sinclair's Workers' Theater Contribution 7. You I-Won't Work Harp: I.W.W. Elegy in The Iceman Cometh 8. Postscript: Not Time Yet.

Document

Examining twenty-five years of theatre history, this book covers the major plays that feature representations of the Industrial Workers of the World. American class movement and class divisions have long been reflected on the Broadway stage and here Michael Schwartz presents a fresh look at the conflict between labor and capital.Examining twenty-five years of theatre history, this book covers the major plays that feature representations of the Industrial Workers of the World (I.W.W.), or Wobblies. American class movement and class divisions have long been reflected on the Broadway stage and, through the lens of the I.W.W., Michael Schwartz presents a fresh look at the conflict between labor and capital. From O'Neill's The Hairy Ape; Sidney Howard's They Knew What They Wanted; John Howard Lawson's Processional; Harold Hickerson and Maxwell Anderson's Gods of the Lightning; and Upton Sinclair's Singing Jailbirds in the 1920s to O'Neill's The Iceman Cometh in 1946, Schwartz traces the plays' impact of I.W.W. as an actual agent for workers' rights and social change as well as the popular image of the Wobbly - how audiences saw Wobblies and what role they played in audience imagination.

PDF.

Michael Schwartz is Assistant Professor of Theatre at Indiana University of Pennsylvania, USA and the author of Broadway and Corporate Capitalism: The Rise of the Professional Managerial Class 1900-1920 (2009).

ISBN: 1137353058 (electronic bk.) :£55.00Subjects--Corporate Names:

689354
Industrial Workers of the World
--In literature.Subjects--Topical Terms:

689355
American drama
--History and criticism--20th century.

LC Class. No.: PS338.I58 / S37 2014

Dewey Class. No.: 792.088

Class divisions on the Broadway stagethe staging and taming of the I.W.W. /
LDR:03779nmm a22003852a 4500 001 439324
003 UK-WkNB
005 20140903000000.0
007 cu||||||||||||
008 150123e201407uuxxk |s|||||||0|0 eng|d
020 $a 1137353058 (electronic bk.) : $c £55.00
020 $a 9781137353047
020 $a 9781137353054 (electronic bk.) : $c £55.00
035 $a 9781137353054
040 $a UK-WkNB $b eng $c UK-WkNB
050 4 $a PS338.I58 $b S37 2014
072 $a AN $x 1KBBEY $x 3JJ $2 bicssc
072 7 $a KNXB2 $x 1KBBEY $x 3JJ $2 bicssc
072 7 $a PER $2 ukslc
082 0 4 $a 792.088 $2 23
100 1 $a Schwartz, Michael, $d 1963 Oct. 18- $3 463023
245 1 0 $a Class divisions on the Broadway stage $h [electronic resource] : $b the staging and taming of the I.W.W. / $c Michael Schwartz.
250 $a 1st ed.
260 $a Basingstoke : $b Palgrave Macmillan : $b [distributor] Not Avail, $c 2014.
300 $a 208 p.
365 $a 02 $b 55.00 $c GBP $d 00 $h S 45.83 20.0 55.00 9.17 $j GB $k xxk $m Palgrave Macmillan $2 onix-pt
366 $b 20140710 $c IP 20140711 $j GB $k xxk $m Palgrave Macmillan $2 UK-WkNB
490 0 $a Palgrave studies in theatre and performance history
500 $a Electronic book text.
500 $a Epublication based on: 9781137353047, 2014.
505 0 $a 1. To Stop the World: The Most Stupendous Impossibles 2. Where Do I Get Off At? The Wobblies Spurns the Hairy Ape 3. No Kick Coming: The Romantic Wobbly of Sidney Howard's They Knew What They Wanted 4. Jazzing the Wobblies: John Howard Lawson's Processionals 5. Dead Hand of the Dead: Anderson and Hickerson's Gods of the Lightning 6. We Even Sing 'em in Jap and Chink: Upton Sinclair's Workers' Theater Contribution 7. You I-Won't Work Harp: I.W.W. Elegy in The Iceman Cometh 8. Postscript: Not Time Yet.
516 $a Document
520 $a Examining twenty-five years of theatre history, this book covers the major plays that feature representations of the Industrial Workers of the World. American class movement and class divisions have long been reflected on the Broadway stage and here Michael Schwartz presents a fresh look at the conflict between labor and capital. $b Examining twenty-five years of theatre history, this book covers the major plays that feature representations of the Industrial Workers of the World (I.W.W.), or Wobblies. American class movement and class divisions have long been reflected on the Broadway stage and, through the lens of the I.W.W., Michael Schwartz presents a fresh look at the conflict between labor and capital. From O'Neill's The Hairy Ape; Sidney Howard's They Knew What They Wanted; John Howard Lawson's Processional; Harold Hickerson and Maxwell Anderson's Gods of the Lightning; and Upton Sinclair's Singing Jailbirds in the 1920s to O'Neill's The Iceman Cometh in 1946, Schwartz traces the plays' impact of I.W.W. as an actual agent for workers' rights and social change as well as the popular image of the Wobbly - how audiences saw Wobblies and what role they played in audience imagination.
520 1 $a In this illuminating study, Michael Schwartz provides vivid insights into the ways in which the Wobblies, a fabled crew of labor campaigners, were depicted on the Broadway stage. Schwartz colorfully demonstrates how Wobblies were evoked through individual characters, plot devices, and music. Through its fine storytelling and cogent analyses, Class Divisions on the Broadway Stage reveals a largely hidden part of American theatrical and labor history. - William A. Everett, University of Missouri, Kansas City, USA.
538 $a PDF.
545 0 $a Michael Schwartz is Assistant Professor of Theatre at Indiana University of Pennsylvania, USA and the author of Broadway and Corporate Capitalism: The Rise of the Professional Managerial Class 1900-1920 (2009).
610 2 0 $a Industrial Workers of the World $x In literature. $3 689354
650 0 $a American drama $x History and criticism $y 20th century. $3 689355
650 0 $a Class consciousness in literature. $3 463027
650 0 $a Class consciousness $x History $y 20th century $z New York (State) $z New York. $3 689356
650 0 $a Labor movement in literature. $3 689357
650 0 $a Theater and society $x History $y 20th century $z New York (State) $z New York. $3 689358
650 7 $a Performing Arts. $3 284098
650 7 $a Theatre studies $y 20th century $z New York. $2 bicssc $3 689359
650 7 $a Trade unions $y 20th century $z New York. $2 bicssc $3 689360
856 4 $u http://www.palgraveconnect.com/doifinder/10.1057/9781137353054 $x 05 $z Online journal 'available contents' page