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Cultural representations of massacre...

France

Cultural representations of massacrereinterpretations of the mutiny of Senegal /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Cultural representations of massacreSabrina Parent.
其他題名:	reinterpretations of the mutiny of Senegal /
作者:	Parent, Sabrina.
出版者:	Basingstoke :Palgrave Macmillan :2014.
面頁冊數:	224 p. :6 b&w, ill.
附註:	Electronic book text.
附註:	Epublication based on: 9781137274960, 2014.
標題:	African literature (French)History and criticism20th century.
標題:	FranceColoniesAfrica.
電子資源:	Online journal 'available contents' page
ISBN:	1137274972 (electronic bk.) :

Cultural representations of massacrereinterpretations of the mutiny of Senegal /
Parent, Sabrina.

Cultural representations of massacrereinterpretations of the mutiny of Senegal /[electronic resource] :Sabrina Parent. - 1st ed. - Basingstoke :Palgrave Macmillan :2014. - 224 p. :6 b&w, ill.

Electronic book text.

Introduction 1. Historical Background and Representations of Thiaroye PART I: REPRESENTATIONS OF THIAROYE IN COLONIAL TIMES: TYAROYE BY LEOPOLD SEDAR-SENGHOR AND AUBE AFRICAINE BY FODEBA KEITA 2. Leopold Sedar Senghor's Thiaroye: The Prototype of Sacrifice 3. Fodeba Keita's Thiaroye: A Transitory Episode in the African Epic PART II: REPRESENTATIONS OF THIAROYE IN THE POST-INDEPENDENCE ERA: THIAROYE TERRE ROUGE BY BOUBACAR BORIS DIOP, MORTS POUR LA FRANCE BY DOUMBI-FAKOLY, AND CAMP DE THIAROYE BY SEMBENE OUSMANE 4. Boubacar Boris Diop's Thiaroye: Rebellion and Treason 5. Doumbi-Fakoly's Morts pour la France: Thiaroye as a Key Episode in Understanding (Neo-) Colonialism 6. Camp de Thiaroye by Sembene Ousmane: Art and / as Resistance PART III: REPRESENTATIONS OF THIAROYE IN A NEW ERA: L'AMI Y'A BON BY RACHID BOUCHAREB AND AUBE DE SANG BY CHEIKH FATY FAYE 7. Rachid Bouchareb's Minimalist Representation of Thiaroye 8. Dismantling Thiaroye's Dichotomies in Cheik Faty Faye's Play Conclusion.

Document

In this book, Parent puts together a history of representations of the 1944 mutiny in Senegal. Combining firsthand analysis of the works and their intertextual interactions as well an external perspective, Parent engages with history, literature, film, poetics, and politics and highlights the importance of remembering the past.Over the past sixty years, the massacre of Thiaroye (Senegal), the 1944 mutiny of African soldiers that was severely suppressed by the French army, has been continuously reinterpreted by artists such as L. S. Senghor, F. Keita, Doumbi-Fakoly, O. Sembene, B. B. Diop, R. Bouchareb, and F. F. Faye. In this book, Parent puts together a history of these representations, characterizing their socio-historical role and the way each document (re-)interprets the events. Combining a first-hand analysis of the works and their intertextual interactions, as well as an external perspective (which consists of reconstructing the socio-historical contexts of production and reception of each document), Parent engages with history, literature, film, poetics, and politics and highlights the importance of remembering the past.

PDF.

Sabrina Parent is FRS-FNRS Postdoctoral Research Fellow in the Faculte de Philosophie et Lettres at the Universite Libre de Bruxelles, Belgium.

ISBN: 1137274972 (electronic bk.) :£60.00Subjects--Corporate Names:

689523
France
--In literature.Subjects--Topical Terms:

689527
African literature (French)
--History and criticism--20th century.Subjects--Geographical Terms:

689524
France
--Colonies--Africa.

LC Class. No.: PQ3980.5 / .P37 2014

Dewey Class. No.: 820.9960904

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516 $a Document
520 $a In this book, Parent puts together a history of representations of the 1944 mutiny in Senegal. Combining firsthand analysis of the works and their intertextual interactions as well an external perspective, Parent engages with history, literature, film, poetics, and politics and highlights the importance of remembering the past. $b Over the past sixty years, the massacre of Thiaroye (Senegal), the 1944 mutiny of African soldiers that was severely suppressed by the French army, has been continuously reinterpreted by artists such as L. S. Senghor, F. Keita, Doumbi-Fakoly, O. Sembene, B. B. Diop, R. Bouchareb, and F. F. Faye. In this book, Parent puts together a history of these representations, characterizing their socio-historical role and the way each document (re-)interprets the events. Combining a first-hand analysis of the works and their intertextual interactions, as well as an external perspective (which consists of reconstructing the socio-historical contexts of production and reception of each document), Parent engages with history, literature, film, poetics, and politics and highlights the importance of remembering the past.
520 1 $a With erudition, elegance, and sensitivity, Parent documents how writers, filmmakers, and poets over the years reinserted Thiaroye into African and French history and memory. She thus gives a voice to the former colonized people who present their own rendering of the events. This remarkable scholarship is informative, sophisticated, and offers a stimulating reading experience. - Dina Sherzer, Professor Emeritus of French, Italian, and Comparative Literature, University of Texas at Austin, USA With great acuity, Parent provides a clear, explanatory history of people: those who actually suffered from the lethally arrogant behavior of the colonists, as well as those who strove to mark the massacre of Thiaroye in writing, using a creative talent that is necessarily somewhat removed from complete historical accuracy. I am indebted to Parent, whose tireless and profound work made me first admit, and later share her point of view that the official history of the massacre of Thiaroye was in fact merely fiction - which is not to say a lie. This research represents a historic milestone. - Armelle Mabon, Associate Professor of History, Universite de Bretagne-Sud, Lorient, France.
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