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Sounding New MediaImmersion and Embo...

Dyson, Frances.

Sounding New MediaImmersion and Embodiment in the Arts and Culture.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Sounding New Media
其他題名:	Immersion and Embodiment in the Arts and Culture.
作者:	Dyson, Frances.
出版者:	CA :University of California Press,2009.
面頁冊數:	1 online resource (260 p.)
標題:	Virtual realityPhilosophy.
電子資源:	http://www.jstor.org/stable/10.1525/j.ctt1pn6r1
ISBN:	9780520944848 (electronic bk.)

Sounding New MediaImmersion and Embodiment in the Arts and Culture.
Dyson, Frances.

Sounding New MediaImmersion and Embodiment in the Arts and Culture.[electronic resource] : - CA :University of California Press,2009. - 1 online resource (260 p.)

Cover; Contents; Illustrations; Acknowledgments; Introduction; 1. Ethereal Transmissions: The "Tele" of Pho-ne-; 2. Celestial Telegraphies; 3. Aural Objects, Recording Devices, and the Proximate Apparatus; 4. Death, Silence, and the Tape Recorder; 5. Immersion; 6. Embodying Technology: From Sound Effect to Body Effect; 7. Atmospheres; Conclusion: Music and Noise; Notes; References; Index.

Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about em.

ISBN: 9780520944848 (electronic bk.)Subjects--Topical Terms:

697318
Virtual reality
--Philosophy.

LC Class. No.: BD331 / .D998 2009

Dewey Class. No.: 302.23

Sounding New MediaImmersion and Embodiment in the Arts and Culture.
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520 $a Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions. Frances Dyson takes an historical approach, focusing on technologies that became available in the mid-twentieth century-electronics, imaging, and digital and computer processing-and analyzing the work of such artists as John Cage, Edgard Varèse, Antonin Artaud, and Char Davies. She utilizes sound's intangibility to study ideas about em.
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