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The cinema of James Cameronbodies in...

Cameron, James, (1954-)

The cinema of James Cameronbodies in heroic motion /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The cinema of James CameronJames Clarke.
其他題名:	bodies in heroic motion /
作者:	Clarke, James,
出版者:	New York :Wallflower Press,c2014.
面頁冊數:	1 online resource (vii, 176 p.) :ill.
標題:	Motion picture producers and directorsCanada.
電子資源:	http://www.degruyter.com/isbn/9780231850629
ISBN:	9780231850629 (electronic bk.)

The cinema of James Cameronbodies in heroic motion /
Clarke, James,1972-

The cinema of James Cameronbodies in heroic motion /[electronic resource] :James Clarke. - New York :Wallflower Press,c2014. - 1 online resource (vii, 176 p.) :ill. - Directors' cuts. - Directors' cuts..

Includes bibliographical references (p. 163-172) and index.

Introduction -- Genesis: From short film visions to low-budget monster movie -- The Terminator (1984) -- Aliens (1986) -- The Abyss (1989) -- Terminator 2: Judgement Day (1991) -- True Lies (1994) -- Titanic (1997) -- Avatar (2009) -- Cameron's Documentaries -- Cameron as writer and producer.

This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works. -- Provided by publisher.

ISBN: 9780231850629 (electronic bk.)

LCCN: 2015410751Subjects--Personal Names:

465832
Cameron, James,
1954-Subjects--Topical Terms:

743960
Motion picture producers and directors
--Canada.

LC Class. No.: PN1998.3.C352 / C57 2014

Dewey Class. No.: 791.4302/33092

The cinema of James Cameronbodies in heroic motion /
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245 1 4 $a The cinema of James Cameron $h [electronic resource] : $b bodies in heroic motion / $c James Clarke.
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490 1 $a Directors' cuts
504 $a Includes bibliographical references (p. 163-172) and index.
505 0 $a Introduction -- Genesis: From short film visions to low-budget monster movie -- The Terminator (1984) -- Aliens (1986) -- The Abyss (1989) -- Terminator 2: Judgement Day (1991) -- True Lies (1994) -- Titanic (1997) -- Avatar (2009) -- Cameron's Documentaries -- Cameron as writer and producer.
520 $a This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work, from The Terminator to Avatar. Space is also given to discussion of Strange Days as well as his short films and documentary works. -- Provided by publisher.
588 $a Description based on print version record.
600 1 0 $a Cameron, James, $d 1954- $3 465832
650 0 $a Motion picture producers and directors $z Canada. $3 743960
830 0 $a Directors' cuts. $3 653203
856 4 0 $u http://www.degruyter.com/isbn/9780231850629