語系:
繁體中文
English
說明(常見問題)
圖資館首頁
登入
回首頁
切換:
標籤
|
MARC模式
|
ISBD
The truth about Fania Fenelon and th...
~
Auschwitz (Concentration camp)
The truth about Fania Fenelon and the women's orchestra of Auschwitz-Birkenau
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
The truth about Fania Fenelon and the women's orchestra of Auschwitz-Birkenauby Susan Eischeid.
作者:
Eischeid, Susan.
出版者:
Cham :Springer International Publishing :2016.
面頁冊數:
xiii, 151 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
標題:
Holocaust, Jewish (1939-1945)Historiography.
電子資源:
http://dx.doi.org/10.1007/978-3-319-31038-1
ISBN:
9783319310381$q(electronic bk.)
The truth about Fania Fenelon and the women's orchestra of Auschwitz-Birkenau
Eischeid, Susan.
The truth about Fania Fenelon and the women's orchestra of Auschwitz-Birkenau
[electronic resource] /by Susan Eischeid. - Cham :Springer International Publishing :2016. - xiii, 151 p. :ill., digital ;24 cm.
Introduction -- 1. The Auschwitz-Birkenau Women's Orchestra -- 2. Fania Fenelon and the Inception of Playing for Time -- 3. Scholarly Treatment of Playing for Time -- 4. The Response of the Other Survivors -- 5. Press Response and Continued Survivor Response -- 6. The Film Based on Playing for Time -- 7. The Artistic Influence of Fenelon's Memoir -- 8. Memoirs by the Other Survivors of the Orchestra -- 9. The Second Generation Legacy -- 10. Addressing the Revisionists -- Conclusion.
This book explores how the women's orchestra at Auschwitz-Birkenau has been remembered in both media and popular culture since the end of the Second World War. In particular it focuses on Fania Fenelon's memoir, Playing for Time (1976), which was subsequently adapted into a film. Since then the publication has become a cornerstone of Holocaust remembrance and scholarship. Susan Eischeid therefore interrogates whether it deserves such status, and whether such material can ever be considered reliable source material for historians. Using divergent source material gathered by the author, such as interviews with the other surviving members of the orchestra, this Pivot seeks to shed light on this period of women's history, and question how we remember the Holocaust today.
ISBN: 9783319310381$q(electronic bk.)
Standard No.: 10.1007/978-3-319-31038-1doiSubjects--Personal Names:
750167
Fenelon, Fania.
Subjects--Corporate Names:
247978
Auschwitz (Concentration camp)
Subjects--Topical Terms:
207607
Holocaust, Jewish (1939-1945)
--Historiography.
LC Class. No.: D810.J4
Dewey Class. No.: 940.5318094386
The truth about Fania Fenelon and the women's orchestra of Auschwitz-Birkenau
LDR
:02211nmm a2200313 a 4500
001
490657
003
DE-He213
005
20161125141817.0
006
m d
007
cr nn 008maaau
008
170118s2016 gw s 0 eng d
020
$a
9783319310381$q(electronic bk.)
020
$a
9783319310374$q(paper)
024
7
$a
10.1007/978-3-319-31038-1
$2
doi
035
$a
978-3-319-31038-1
040
$a
GP
$c
GP
041
0
$a
eng
050
4
$a
D810.J4
072
7
$a
HBWQ
$2
bicssc
072
7
$a
HIS027100
$2
bisacsh
082
0 4
$a
940.5318094386
$2
23
090
$a
D810.J4
$b
E36 2016
100
1
$a
Eischeid, Susan.
$3
750166
245
1 4
$a
The truth about Fania Fenelon and the women's orchestra of Auschwitz-Birkenau
$h
[electronic resource] /
$c
by Susan Eischeid.
260
$a
Cham :
$b
Springer International Publishing :
$b
Imprint: Palgrave Macmillan,
$c
2016.
300
$a
xiii, 151 p. :
$b
ill., digital ;
$c
24 cm.
505
0
$a
Introduction -- 1. The Auschwitz-Birkenau Women's Orchestra -- 2. Fania Fenelon and the Inception of Playing for Time -- 3. Scholarly Treatment of Playing for Time -- 4. The Response of the Other Survivors -- 5. Press Response and Continued Survivor Response -- 6. The Film Based on Playing for Time -- 7. The Artistic Influence of Fenelon's Memoir -- 8. Memoirs by the Other Survivors of the Orchestra -- 9. The Second Generation Legacy -- 10. Addressing the Revisionists -- Conclusion.
520
$a
This book explores how the women's orchestra at Auschwitz-Birkenau has been remembered in both media and popular culture since the end of the Second World War. In particular it focuses on Fania Fenelon's memoir, Playing for Time (1976), which was subsequently adapted into a film. Since then the publication has become a cornerstone of Holocaust remembrance and scholarship. Susan Eischeid therefore interrogates whether it deserves such status, and whether such material can ever be considered reliable source material for historians. Using divergent source material gathered by the author, such as interviews with the other surviving members of the orchestra, this Pivot seeks to shed light on this period of women's history, and question how we remember the Holocaust today.
600
1 0
$a
Fenelon, Fania.
$3
750167
610
2 0
$a
Auschwitz (Concentration camp)
$3
247978
650
0
$a
Holocaust, Jewish (1939-1945)
$x
Historiography.
$3
207607
650
0
$a
Holocaust, Jewish (1939-1945)
$x
Sources.
$3
750168
650
0
$a
World War, 1939-1945
$x
Prisoners and prisons, German.
$3
247979
650
0
$a
Concentration camp inmates
$z
France
$v
Biography.
$3
750169
650
0
$a
Jews
$z
France
$v
Biography.
$3
578561
650
0
$a
Musicians
$z
France
$v
Biography.
$3
750170
650
1 4
$a
History.
$3
263737
650
2 4
$a
History of World War II and the Holocaust.
$3
739867
650
2 4
$a
Film History.
$3
740040
650
2 4
$a
History of Modern Europe.
$3
747753
710
2
$a
SpringerLink (Online service)
$3
273601
773
0
$t
Springer eBooks
856
4 0
$u
http://dx.doi.org/10.1007/978-3-319-31038-1
950
$a
History (Springer-41172)
筆 0 讀者評論
全部
電子館藏
館藏
1 筆 • 頁數 1 •
1
條碼號
館藏地
館藏流通類別
資料類型
索書號
使用類型
借閱狀態
預約狀態
備註欄
附件
000000127815
電子館藏
1圖書
電子書
EB D810.J4 E36 2016
一般使用(Normal)
在架
0
1 筆 • 頁數 1 •
1
多媒體
多媒體檔案
http://dx.doi.org/10.1007/978-3-319-31038-1
評論
新增評論
分享你的心得
Export
取書館別
處理中
...
變更密碼
登入