國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Empathy as dialogue in theatre and p...

Cummings, Lindsay B.

Empathy as dialogue in theatre and performance

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Empathy as dialogue in theatre and performanceby Lindsay B. Cummings.
作者:	Cummings, Lindsay B.
出版者:	London :Palgrave Macmillan UK :2016.
面頁冊數:	vii, 220 p. :digital ;22 cm.
Contained By:	Springer eBooks
標題:	Performing artsPsychological aspects.
電子資源:	http://dx.doi.org/10.1057/978-1-137-59326-9
ISBN:	9781137593269$q(electronic bk.)

Empathy as dialogue in theatre and performance
Cummings, Lindsay B.

Empathy as dialogue in theatre and performance[electronic resource] /by Lindsay B. Cummings. - London :Palgrave Macmillan UK :2016. - vii, 220 p. :digital ;22 cm.

Introduction -- Acknowledgements -- Chapter 1. Interruptions -- Chapter 2. Repetitions -- Chapter 3. Rehearsals -- Chapter 4. Empathic Economies -- Conclusion -- Bibliography.

Empathy has provoked equal measures of excitement and controversy in recent years. For some, empathy is crucial to understanding others, helping us bridge social and cultural differences. For others, empathy is nothing but a misguided assumption of access to the minds of others. In this book, Cummings argues that empathy comes in many forms, some helpful to understanding others and some detrimental. Tracing empathy's genealogy through aesthetic theory, philosophy, psychology, and performance theory, Cummings illustrates how theatre artists and scholars have often overlooked the dynamic potential of empathy by focusing on its more "monologic" forms, in which spectators either project their point of view onto characters or passively identify with them. This book therefore explores how empathy is most effective when it functions as a dialogue, along with how theatre and performance can utilise the live, emergent exchange between bodies in space to encourage more dynamic, dialogic encounters between performers and audience.

ISBN: 9781137593269$q(electronic bk.)

Standard No.: 10.1057/978-1-137-59326-9doiSubjects--Topical Terms:

473736
Performing arts
--Psychological aspects.

LC Class. No.: PN1590.P76 / C86 2016

Dewey Class. No.: 792.019

Empathy as dialogue in theatre and performance
LDR:02165nmm a2200313 a 4500 001 493060
003 DE-He213
005 20160713141758.0
006 m d
007 cr nn 008maaau
008 170220s2016 enk s 0 eng d
020 $a 9781137593269$q(electronic bk.)
020 $a 9781137593252$q(paper)
024 7 $a 10.1057/978-1-137-59326-9 $2 doi
035 $a 978-1-137-59326-9
040 $a GP $c GP
041 0 $a eng
050 4 $a PN1590.P76 $b C86 2016
072 7 $a AS $2 bicssc
072 7 $a PER000000 $2 bisacsh
082 0 4 $a 792.019 $2 23
090 $a PN1590.P76 $b C971 2016
100 1 $a Cummings, Lindsay B. $3 753614
245 1 0 $a Empathy as dialogue in theatre and performance $h [electronic resource] / $c by Lindsay B. Cummings.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2016.
300 $a vii, 220 p. : $b digital ; $c 22 cm.
505 0 $a Introduction -- Acknowledgements -- Chapter 1. Interruptions -- Chapter 2. Repetitions -- Chapter 3. Rehearsals -- Chapter 4. Empathic Economies -- Conclusion -- Bibliography.
520 $a Empathy has provoked equal measures of excitement and controversy in recent years. For some, empathy is crucial to understanding others, helping us bridge social and cultural differences. For others, empathy is nothing but a misguided assumption of access to the minds of others. In this book, Cummings argues that empathy comes in many forms, some helpful to understanding others and some detrimental. Tracing empathy's genealogy through aesthetic theory, philosophy, psychology, and performance theory, Cummings illustrates how theatre artists and scholars have often overlooked the dynamic potential of empathy by focusing on its more "monologic" forms, in which spectators either project their point of view onto characters or passively identify with them. This book therefore explores how empathy is most effective when it functions as a dialogue, along with how theatre and performance can utilise the live, emergent exchange between bodies in space to encourage more dynamic, dialogic encounters between performers and audience.
650 0 $a Performing arts $x Psychological aspects. $3 473736
650 0 $a Emotions $x Psychological aspects. $3 587626
650 1 4 $a Cultural and Media Studies. $3 732821
650 2 4 $a Performing Arts. $3 284098
650 2 4 $a Emotion. $3 740224
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-59326-9
950 $a Literature, Cultural and Media Studies (Springer-41173)