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The Palgrave handbook of sound desig...

Greene, Liz.

The Palgrave handbook of sound design and music in screen mediaintegrated soundtracks /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The Palgrave handbook of sound design and music in screen mediaedited by Liz Greene, Danijela Kulezic-Wilson.
其他題名:	integrated soundtracks /
其他作者:	Greene, Liz.
出版者:	London :Palgrave Macmillan UK :2016.
面頁冊數:	xix, 468 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Motion picturesSound effects.
電子資源:	http://dx.doi.org/10.1057/978-1-137-51680-0
ISBN:	9781137516800$q(electronic bk.)

The Palgrave handbook of sound design and music in screen mediaintegrated soundtracks /
The Palgrave handbook of sound design and music in screen mediaintegrated soundtracks /[electronic resource] :edited by Liz Greene, Danijela Kulezic-Wilson. - London :Palgrave Macmillan UK :2016. - xix, 468 p. :ill., digital ;24 cm.

This book bridges the existing gap between film sound and film music studies by bringing together scholars from both disciplines who challenge the constraints of their subject areas by thinking about integrated approaches to the soundtrack. As the boundaries between scoring and sound design in contemporary cinema have become increasingly blurred, both film music and film sound studies have responded by expanding their range of topics and the scope of their analysis beyond those traditionally addressed. The running theme of the book is the disintegration of boundaries, which permeates discussions about industry, labour, technology, aesthetics and audiovisual spectatorship. The collaborative nature of screen media is addressed not only in scholarly chapters but also through interviews with key practitioners that include sound recordists, sound designers, composers, orchestrators and music supervisors who honed their skills on films, TV programmes, video games, commercials and music videos.

ISBN: 9781137516800$q(electronic bk.)

Standard No.: 10.1057/978-1-137-51680-0doiSubjects--Topical Terms:

454075
Motion pictures
--Sound effects.

LC Class. No.: TR897 / .P354 2016

Dewey Class. No.: 791.43024

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520 $a This book bridges the existing gap between film sound and film music studies by bringing together scholars from both disciplines who challenge the constraints of their subject areas by thinking about integrated approaches to the soundtrack. As the boundaries between scoring and sound design in contemporary cinema have become increasingly blurred, both film music and film sound studies have responded by expanding their range of topics and the scope of their analysis beyond those traditionally addressed. The running theme of the book is the disintegration of boundaries, which permeates discussions about industry, labour, technology, aesthetics and audiovisual spectatorship. The collaborative nature of screen media is addressed not only in scholarly chapters but also through interviews with key practitioners that include sound recordists, sound designers, composers, orchestrators and music supervisors who honed their skills on films, TV programmes, video games, commercials and music videos.
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