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Chinese American literature without ...
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Cheung, King-Kok.
Chinese American literature without bordersgender, genre, and form /
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Chinese American literature without bordersby King-Kok Cheung.
其他題名:
gender, genre, and form /
作者:
Cheung, King-Kok.
出版者:
New York :Palgrave Macmillan US :2016.
面頁冊數:
xiii, 326 p. :ill., digital ;24 cm.
Contained By:
Springer eBooks
標題:
American literatureChinese authors
電子資源:
http://dx.doi.org/10.1057/978-1-137-44177-5
ISBN:
9781137441775$q(electronic bk.)
Chinese American literature without bordersgender, genre, and form /
Cheung, King-Kok.
Chinese American literature without borders
gender, genre, and form /[electronic resource] :by King-Kok Cheung. - New York :Palgrave Macmillan US :2016. - xiii, 326 p. :ill., digital ;24 cm.
This book bridges comparative literature and American studies by using an intercultural and bilingual approach to Chinese American literature. King-Kok Cheung launches a new transnational exchange by examining both Chinese and Chinese American writers. Part 1 presents alternative forms of masculinity that transcend conventional associations of valor with aggression. It examines gender refashioning in light of the Chinese dyadic ideal of wen-wu (verbal arts and martial arts), while redefining both in the process. Part 2 highlights the writers' formal innovations by presenting alternative autobiography, theory, metafiction, and translation. In doing so, Cheung puts in relief the literary experiments of the writers, who interweave hybrid poetics with two-pronged geopolitical critiques. The writers examined provide a reflexive lens through which transpacific audiences are beckoned to view the "other" country and to look homeward without blinders.
ISBN: 9781137441775$q(electronic bk.)
Standard No.: 10.1057/978-1-137-44177-5doiSubjects--Topical Terms:
766681
American literature
--Chinese authors
LC Class. No.: PS153.C45 / C485 2016
Dewey Class. No.: 810.98951
Chinese American literature without bordersgender, genre, and form /
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This book bridges comparative literature and American studies by using an intercultural and bilingual approach to Chinese American literature. King-Kok Cheung launches a new transnational exchange by examining both Chinese and Chinese American writers. Part 1 presents alternative forms of masculinity that transcend conventional associations of valor with aggression. It examines gender refashioning in light of the Chinese dyadic ideal of wen-wu (verbal arts and martial arts), while redefining both in the process. Part 2 highlights the writers' formal innovations by presenting alternative autobiography, theory, metafiction, and translation. In doing so, Cheung puts in relief the literary experiments of the writers, who interweave hybrid poetics with two-pronged geopolitical critiques. The writers examined provide a reflexive lens through which transpacific audiences are beckoned to view the "other" country and to look homeward without blinders.
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