國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Music in Germany since 1968

Williams, Alastair.

Music in Germany since 1968

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Music in Germany since 1968by Alastair Williams.
作者:	Williams, Alastair.
出版者:	Cambridge :Cambridge University Press,2013.
面頁冊數:	xi, 280 p. :ill., music, digital ;26 cm.
標題:	MusicHistory and criticism.20th centuryGermany
電子資源:	https://doi.org/10.1017/CBO9781139034081
ISBN:	9781139034081$q(electronic bk.)

Music in Germany since 1968
Williams, Alastair.

Music in Germany since 1968[electronic resource] /by Alastair Williams. - Cambridge :Cambridge University Press,2013. - xi, 280 p. :ill., music, digital ;26 cm. - Music since 1900. - Music since 1900..

Contexts and institutions -- Expanded horizons: established composers after 1968 -- The refusal of habit: Helmut Lachenmann -- Music and signs: Wolfgang Rihm -- Contemporaries of Lachenmann and Rihm: the younger generation.

Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism.

ISBN: 9781139034081$q(electronic bk.)Subjects--Topical Terms:

298279
Music
--History and criticism.--Germany--20th century

LC Class. No.: ML275.5 / .W55 2013

Dewey Class. No.: 780.94309045

Music in Germany since 1968
LDR:01963nmm a2200265 a 4500 001 504214
003 UkCbUP
005 20170906094447.0
006 m d
007 cr nn 008maaau
008 171013s2013 enk s 0 eng d
020 $a 9781139034081$q(electronic bk.)
020 $a 9780521877596$q(hardback)
035 $a CR9781139034081
040 $a UkCbUP $b eng $c UkCbUP $d GP
041 0 $a eng
050 0 0 $a ML275.5 $b .W55 2013
082 0 0 $a 780.94309045 $2 23
090 $a ML275.5 $b .W721 2013
100 1 $a Williams, Alastair. $3 769074
245 1 0 $a Music in Germany since 1968 $h [electronic resource] / $c by Alastair Williams.
260 $a Cambridge : $b Cambridge University Press, $c 2013.
300 $a xi, 280 p. : $b ill., music, digital ; $c 26 cm.
490 1 $a Music since 1900
505 0 $a Contexts and institutions -- Expanded horizons: established composers after 1968 -- The refusal of habit: Helmut Lachenmann -- Music and signs: Wolfgang Rihm -- Contemporaries of Lachenmann and Rihm: the younger generation.
520 $a Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism.
650 0 $a Music $z Germany $y 20th century $x History and criticism. $3 298279
830 0 $a Music since 1900. $3 769075
856 4 0 $u https://doi.org/10.1017/CBO9781139034081