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Gender and Islam in Indonesian cinema

Izharuddin, Alicia.

Gender and Islam in Indonesian cinema

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Gender and Islam in Indonesian cinemaby Alicia Izharuddin.
作者:	Izharuddin, Alicia.
出版者:	Singapore :Springer Singapore :2017.
面頁冊數:	xi, 207 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Motion picturesIndonesia.
電子資源:	http://dx.doi.org/10.1007/978-981-10-2173-2
ISBN:	9789811021732$q(electronic bk.)

Gender and Islam in Indonesian cinema
Izharuddin, Alicia.

Gender and Islam in Indonesian cinema[electronic resource] /by Alicia Izharuddin. - Singapore :Springer Singapore :2017. - xi, 207 p. :ill., digital ;24 cm. - Gender, sexualities and culture in Asia. - Gender, sexualities and culture in Asia..

Gender and the divine pleasures of the cinema -- Dakwah at the cinema: identifying the generic parameters of Islamic films -- Visualising Muslim women and men: a longue duree -- Gender, Islam and the nation in New Order Islamic films -- Empowered Muslim femininities?: representations of women in post-New Order film Islami -- Poor, polygamous but deeply pious: Muslim masculinities in post-New Order film Islami.

This book presents a historical overview of the Indonesian ﬁlm industry, the relationship between censorship and representation, and the rise of women ﬁlmmakers in the post-New Order period. It considers scholarship on gender in Indonesian cinema through the lens of power relations. Examining key themes such as nationalism, women's rights, polygamy, and terrorism which have preoccupied local filmmakers for decades, it resonates with the socio-political changes and upheavals in Indonesia's modern history and projects images of the nation through the debates on gender and Islam. The text also sheds light on broader debates and questions about contemporary Islam and gender construction in contemporary Indonesia, and addresses the specific issue of Anglo-European born Muslim women who are being radicalized by Daish social media, through the analysis of films such as 'Mata Tertutup' (Closed Eyes) about a young woman's transformation into a suicide bomber. Offering cutting edge accounts of the use of Islamic cinema and mass media, this new book considers gendered dimensions of Islamic media usage which further enrich the representations of the 'religious' and the 'Islamic' in the everyday lives of Muslims in South East Asia.

ISBN: 9789811021732$q(electronic bk.)

Standard No.: 10.1007/978-981-10-2173-2doiSubjects--Topical Terms:

772714
Motion pictures
--Indonesia.

LC Class. No.: PN1993.5.I84 / I94 2017

Dewey Class. No.: 791.4309598

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520 $a This book presents a historical overview of the Indonesian ﬁlm industry, the relationship between censorship and representation, and the rise of women ﬁlmmakers in the post-New Order period. It considers scholarship on gender in Indonesian cinema through the lens of power relations. Examining key themes such as nationalism, women's rights, polygamy, and terrorism which have preoccupied local filmmakers for decades, it resonates with the socio-political changes and upheavals in Indonesia's modern history and projects images of the nation through the debates on gender and Islam. The text also sheds light on broader debates and questions about contemporary Islam and gender construction in contemporary Indonesia, and addresses the specific issue of Anglo-European born Muslim women who are being radicalized by Daish social media, through the analysis of films such as 'Mata Tertutup' (Closed Eyes) about a young woman's transformation into a suicide bomber. Offering cutting edge accounts of the use of Islamic cinema and mass media, this new book considers gendered dimensions of Islamic media usage which further enrich the representations of the 'religious' and the 'Islamic' in the everyday lives of Muslims in South East Asia.
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