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Andre Bazin, the critic as thinkerAm...

Bazin, Andre, (1918-1958.)

Andre Bazin, the critic as thinkerAmerican cinema from early Chaplin to the late 1950s /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Andre Bazin, the critic as thinkeredited by R. J. Cardullo.
其他題名:	American cinema from early Chaplin to the late 1950s /
其他作者:	Cardullo, R. J.
出版者:	Rotterdam :SensePublishers :2017.
面頁冊數:	xx, 338 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Motion picturesHistory.United States
電子資源:	http://dx.doi.org/10.1007/978-94-6300-878-5
ISBN:	9789463008785$q(electronic bk.)

Andre Bazin, the critic as thinkerAmerican cinema from early Chaplin to the late 1950s /
Andre Bazin, the critic as thinkerAmerican cinema from early Chaplin to the late 1950s /[electronic resource] :edited by R. J. Cardullo. - Rotterdam :SensePublishers :2017. - xx, 338 p. :ill., digital ;24 cm.

"Andre Bazin (1918-58) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Among those who came under his tutelage were four who would go on to become the most renowned directors of the postwar French cinema: Francois Truffaut, Jean-Luc Godard, Jacques Rivette, and Claude Chabrol. Bazin can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style. Andre Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s contains, for the first time in English in one volume, much if not all of Bazin's writings on American cinema: on directors such as Orson Welles, Charles Chaplin, Preston Sturges, Alfred Hitchcock, Howard Hawks, John Huston, Nicholas Ray, Erich von Stroheim, and Elia Kazan; and on films such as High Noon, Citizen Kane, Rear Window, Limelight, Scarface, Niagara, The Red Badge of Courage, Greed, and Sullivan's Travels. Andre Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s also features a sizable scholarly apparatus, including a contextual introduction to Bazin's life and work, a complete bibliography of Bazin's writings on American cinema, and credits of the films discussed. This volume thus represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world's pre-eminent critical thinkers."

ISBN: 9789463008785$q(electronic bk.)

Standard No.: 10.1007/978-94-6300-878-5doiSubjects--Personal Names:

774007
Bazin, Andre,
1918-1958.Subjects--Topical Terms:

204739
Motion pictures
--History.--United States

LC Class. No.: PN1998.3.B39 / A64 2017

Dewey Class. No.: 791.43092

Andre Bazin, the critic as thinkerAmerican cinema from early Chaplin to the late 1950s /
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520 $a "Andre Bazin (1918-58) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. Among those who came under his tutelage were four who would go on to become the most renowned directors of the postwar French cinema: Francois Truffaut, Jean-Luc Godard, Jacques Rivette, and Claude Chabrol. Bazin can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style. Andre Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s contains, for the first time in English in one volume, much if not all of Bazin's writings on American cinema: on directors such as Orson Welles, Charles Chaplin, Preston Sturges, Alfred Hitchcock, Howard Hawks, John Huston, Nicholas Ray, Erich von Stroheim, and Elia Kazan; and on films such as High Noon, Citizen Kane, Rear Window, Limelight, Scarface, Niagara, The Red Badge of Courage, Greed, and Sullivan's Travels. Andre Bazin, the Critic as Thinker: American Cinema from Early Chaplin to the Late 1950s also features a sizable scholarly apparatus, including a contextual introduction to Bazin's life and work, a complete bibliography of Bazin's writings on American cinema, and credits of the films discussed. This volume thus represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world's pre-eminent critical thinkers."
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