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Baroque, Venice, theatre, philosophy

Daddario, Will.

Baroque, Venice, theatre, philosophy

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Baroque, Venice, theatre, philosophyby Will Daddario.
作者:	Daddario, Will.
出版者:	Cham :Springer International Publishing :2017.
面頁冊數:	ix, 261 p. :digital ;22 cm.
Contained By:	Springer eBooks
標題:	TheaterPhilosophy.
電子資源:	http://dx.doi.org/10.1007/978-3-319-49523-1
ISBN:	9783319495231$q(electronic bk.)

Baroque, Venice, theatre, philosophy
Daddario, Will.

Baroque, Venice, theatre, philosophy[electronic resource] /by Will Daddario. - Cham :Springer International Publishing :2017. - ix, 261 p. :digital ;22 cm. - Performance philosophy. - Performance philosophy..

Introduction -- Part I. Baroque Pastoral -- Chapter 1. Garden Thinking and Baroque Pastoral -- Chapter 2. Pastoral Askew and Aslant -- Chapter 3. Jesuit Pastoral Theatre -- Part II. Discipline and Excess -- Chapter 4. Ruzzante Takes Place -- Chapter 5. The Enscenement of Self and the Jesuit 'Teatro del Mondo' -- Chapter 6. Baroque Diarchic Self -- Bibliography -- Index.

This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.

ISBN: 9783319495231$q(electronic bk.)

Standard No.: 10.1007/978-3-319-49523-1doiSubjects--Personal Names:

787628
Ruzzante,
1502?-1542.Subjects--Topical Terms:

221873
Theater
--Philosophy.

LC Class. No.: PN2039 / .D23 2017

Dewey Class. No.: 792.01

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520 $a This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.
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