國立高雄大學圖資館 |

語系: 繁體中文

說明(常見問題)

圖資館首頁

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Elizabethan and Jacobean reappropria...

Saunders, Graham.

Elizabethan and Jacobean reappropriation in contemporary British drama'Upstart crows' /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Elizabethan and Jacobean reappropriation in contemporary British dramaby Graham Saunders.
其他題名:	'Upstart crows' /
作者:	Saunders, Graham.
出版者:	London :Palgrave Macmillan UK :2017.
面頁冊數:	xi, 194 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	English dramaHistory and criticism.20th century
電子資源:	http://dx.doi.org/10.1057/978-1-137-44453-0
ISBN:	9781137444530$q(electronic bk.)

Elizabethan and Jacobean reappropriation in contemporary British drama'Upstart crows' /
Saunders, Graham.

Elizabethan and Jacobean reappropriation in contemporary British drama'Upstart crows' /[electronic resource] :by Graham Saunders. - London :Palgrave Macmillan UK :2017. - xi, 194 p. :ill., digital ;24 cm. - Adaptation in theatre and performance. - Adaptation in theatre and performance..

Contents -- Acknowledgements -- 1. Introduction: Appropriating the Past -- 2. Why Rewrite Shakespeare & his Contemporaries? -- 3. A Host of Lears: Howard Barker's Seven Lears, Elaine Feinstein's Lear's Daughters and Sarah Kane's Blasted -- 4. 'Love in the Museum': Howard Barker, the Erotic and the Classical Text -- 5. 'If Power Change Purpose': Appropriation and the Shakespearian Despot -- 6. Anyone for Venice? Wesker. Marowitz & Pascal Appropriate The Merchant of Venice -- 7. Festive Tragedy: Jez Butterworth's Jerusalem -- Bibliography -- Index.

This book examines British playwrights' responses to the work of Shakespeare and his contemporaries since 1945, from Tom Stoppard's Rosencrantz and Guildenstern are Dead to Sarah Kane's Blasted and Jez Butterworth's Jerusalem. Using the work of Julie Sanders and others working in the fields of Adaptation Studies and intertextual criticism, it argues that this relatively neglected area of drama, widely considered to be adaptation, should instead be considered as appropriation - as work that often mounts challenges to the ideologies and orthodoxies within Elizabethan and Jacobean drama, and questions the legitimacy and cultural authority of Shakespeare's legacy. The book discusses the work of Howard Barker, Peter Barnes, Edward Bond, Howard Brenton, David Edgar, Elaine Feinstein and the Women's Theatre Group, David Greig, Sarah Kane, Dennis Kelly, Bernard Kopps, Charles Marowitz, Julia Pascal and Arnold Wesker.

ISBN: 9781137444530$q(electronic bk.)

Standard No.: 10.1057/978-1-137-44453-0doiSubjects--Topical Terms:

177498
English drama
--History and criticism.--20th century

LC Class. No.: PR739.A33 / S38 2017

Dewey Class. No.: 822.91409

Elizabethan and Jacobean reappropriation in contemporary British drama'Upstart crows' /
LDR:02555nmm a2200337 a 4500 001 523537
003 DE-He213
005 20180426093712.0
006 m d
007 cr nn 008maaau
008 180628s2017 enk s 0 eng d
020 $a 9781137444530$q(electronic bk.)
020 $a 9781137444523$q(paper)
024 7 $a 10.1057/978-1-137-44453-0 $2 doi
035 $a 978-1-137-44453-0
040 $a GP $c GP
041 0 $a eng
050 4 $a PR739.A33 $b S38 2017
072 7 $a AN $2 bicssc
072 7 $a HBT $2 bicssc
072 7 $a PER011020 $2 bisacsh
082 0 4 $a 822.91409 $2 23
090 $a PR739.A33 $b S257 2017
100 1 $a Saunders, Graham. $3 794762
245 1 0 $a Elizabethan and Jacobean reappropriation in contemporary British drama $h [electronic resource] : $b 'Upstart crows' / $c by Graham Saunders.
260 $a London : $b Palgrave Macmillan UK : $b Imprint: Palgrave Macmillan, $c 2017.
300 $a xi, 194 p. : $b ill., digital ; $c 24 cm.
490 1 $a Adaptation in theatre and performance
505 0 $a Contents -- Acknowledgements -- 1. Introduction: Appropriating the Past -- 2. Why Rewrite Shakespeare & his Contemporaries? -- 3. A Host of Lears: Howard Barker's Seven Lears, Elaine Feinstein's Lear's Daughters and Sarah Kane's Blasted -- 4. 'Love in the Museum': Howard Barker, the Erotic and the Classical Text -- 5. 'If Power Change Purpose': Appropriation and the Shakespearian Despot -- 6. Anyone for Venice? Wesker. Marowitz & Pascal Appropriate The Merchant of Venice -- 7. Festive Tragedy: Jez Butterworth's Jerusalem -- Bibliography -- Index.
520 $a This book examines British playwrights' responses to the work of Shakespeare and his contemporaries since 1945, from Tom Stoppard's Rosencrantz and Guildenstern are Dead to Sarah Kane's Blasted and Jez Butterworth's Jerusalem. Using the work of Julie Sanders and others working in the fields of Adaptation Studies and intertextual criticism, it argues that this relatively neglected area of drama, widely considered to be adaptation, should instead be considered as appropriation - as work that often mounts challenges to the ideologies and orthodoxies within Elizabethan and Jacobean drama, and questions the legitimacy and cultural authority of Shakespeare's legacy. The book discusses the work of Howard Barker, Peter Barnes, Edward Bond, Howard Brenton, David Edgar, Elaine Feinstein and the Women's Theatre Group, David Greig, Sarah Kane, Dennis Kelly, Bernard Kopps, Charles Marowitz, Julia Pascal and Arnold Wesker.
650 0 $a English drama $y 20th century $x History and criticism. $3 177498
650 0 $a English drama $y 21st century $x History and criticism. $3 461239
650 0 $a English drama $y Early modern and Elizabethan, 1500-1600 $x Adaptations $x History and criticism. $3 794763
650 1 4 $a Cultural and Media Studies. $3 732821
650 2 4 $a Theatre History. $3 739827
650 2 4 $a Performing Arts. $3 284098
650 2 4 $a Early Modern/Renaissance Literature. $3 739914
650 2 4 $a British Culture. $3 750145
650 2 4 $a Literary History. $3 739788
710 2 $a SpringerLink (Online service) $3 273601
773 0 $t Springer eBooks
830 0 $a Adaptation in theatre and performance. $3 791232
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-44453-0
950 $a Literature, Cultural and Media Studies (Springer-41173)