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Film/music analysisa film studies ap...

Audissino, Emilio.

Film/music analysisa film studies approach /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Film/music analysisby Emilio Audissino.
其他題名:	a film studies approach /
作者:	Audissino, Emilio.
出版者:	Cham :Springer International Publishing :2017.
面頁冊數:	xiii, 245 p. :ill. (some col.), music, digital ;22 cm.
Contained By:	Springer eBooks
標題:	Motion picture music.
電子資源:	http://dx.doi.org/10.1007/978-3-319-61693-3
ISBN:	9783319616933$q(electronic bk.)

Film/music analysisa film studies approach /
Audissino, Emilio.

Film/music analysisa film studies approach /[electronic resource] :by Emilio Audissino. - Cham :Springer International Publishing :2017. - xiii, 245 p. :ill. (some col.), music, digital ;22 cm. - Palgrave studies in audio-visual culture. - Palgrave studies in audio-visual culture..

1. Introduction: Who Is Entitled To Study Film Music? -- 2. PART I: Pars Destruens - Chapter 2. The Not-So-Fantastical Gap between Music Studies and Film Studies -- 3. Recent Attempts to Bridge the Gap and Overcome a Separatism Conception -- 4. PART II: Pars Construens - Chapter 4. The Neoformalist Proposal -- 5. Film/Music Analysis I: Music, Gestalt, and Audiovisual Isomorphism -- 6. Film/Music Analysis II: Functions and Motivations of Music -- 7. PART III: Pars Demonstrans - Chapter 7. Five Illustrations of Film/Music Analysis -- 8. Close Encounters of the Third Kind and E.T. The Extraterrestrial. The Bonding Power of Music -- 9. Recapitulation and Final Thoughts.

This book offers an approach to film music in which music and visuals are seen as equal players in the game. The field of Film-Music Studies has been increasingly dominated by musicologists and this book brings the discipline back squarely into the domain of of Film Studies. Blending Neoformalism with Gestalt Psychology and Leonard B. Meyer's musicology, this study treats music as a cinematic element and offers scholars and students of both music and film a set of tools to help them analyse the wide ranging impact that music has in films.

ISBN: 9783319616933$q(electronic bk.)

Standard No.: 10.1007/978-3-319-61693-3doiSubjects--Topical Terms:

238421
Motion picture music.

LC Class. No.: ML2075 / .A92 2017

Dewey Class. No.: 781.542

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505 0 $a 1. Introduction: Who Is Entitled To Study Film Music? -- 2. PART I: Pars Destruens - Chapter 2. The Not-So-Fantastical Gap between Music Studies and Film Studies -- 3. Recent Attempts to Bridge the Gap and Overcome a Separatism Conception -- 4. PART II: Pars Construens - Chapter 4. The Neoformalist Proposal -- 5. Film/Music Analysis I: Music, Gestalt, and Audiovisual Isomorphism -- 6. Film/Music Analysis II: Functions and Motivations of Music -- 7. PART III: Pars Demonstrans - Chapter 7. Five Illustrations of Film/Music Analysis -- 8. Close Encounters of the Third Kind and E.T. The Extraterrestrial. The Bonding Power of Music -- 9. Recapitulation and Final Thoughts.
520 $a This book offers an approach to film music in which music and visuals are seen as equal players in the game. The field of Film-Music Studies has been increasingly dominated by musicologists and this book brings the discipline back squarely into the domain of of Film Studies. Blending Neoformalism with Gestalt Psychology and Leonard B. Meyer's musicology, this study treats music as a cinematic element and offers scholars and students of both music and film a set of tools to help them analyse the wide ranging impact that music has in films.
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