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Japanese cinema between frames
~
Lee, Laura.
Japanese cinema between frames
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Japanese cinema between framesby Laura Lee.
作者:
Lee, Laura.
出版者:
Cham :Springer International Publishing :2017.
面頁冊數:
viii, 177 p. :ill. (some col.), digital ;22 cm.
Contained By:
Springer eBooks
標題:
Motion picturesHistory.Japan
電子資源:
http://dx.doi.org/10.1007/978-3-319-66373-9
ISBN:
9783319663739$q(electronic bk.)
Japanese cinema between frames
Lee, Laura.
Japanese cinema between frames
[electronic resource] /by Laura Lee. - Cham :Springer International Publishing :2017. - viii, 177 p. :ill. (some col.), digital ;22 cm.
This book explores the rich complexity of Japan's film history by tracing how cinema has been continually reshaped through its dynamic engagement within a shifting media ecology. Focusing on techniques that draw attention to the interval between frames on the filmstrip, something that is generally obscured in narrative film, Lee uncovers a chief mechanism by which, from its earliest period, the medium has capitalized on its materiality to instantiate its contemporaneity. In doing so, cinema has bound itself tightly with adjacent visual forms such as anime and manga to redefine itself across its history of interaction with new media, including television, video, and digital formats. Japanese Cinema Between Frames is a bold examination of Japanese film aesthetics that reframes the nation's cinema history, illuminating processes that have both contributed to the unique texture of Japanese films and yoked the nation's cinema to the global sphere of film history.
ISBN: 9783319663739$q(electronic bk.)
Standard No.: 10.1007/978-3-319-66373-9doiSubjects--Topical Terms:
482788
Motion pictures
--History.--Japan
LC Class. No.: PN1993.5.J3 / L45 2017
Dewey Class. No.: 791.430952
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This book explores the rich complexity of Japan's film history by tracing how cinema has been continually reshaped through its dynamic engagement within a shifting media ecology. Focusing on techniques that draw attention to the interval between frames on the filmstrip, something that is generally obscured in narrative film, Lee uncovers a chief mechanism by which, from its earliest period, the medium has capitalized on its materiality to instantiate its contemporaneity. In doing so, cinema has bound itself tightly with adjacent visual forms such as anime and manga to redefine itself across its history of interaction with new media, including television, video, and digital formats. Japanese Cinema Between Frames is a bold examination of Japanese film aesthetics that reframes the nation's cinema history, illuminating processes that have both contributed to the unique texture of Japanese films and yoked the nation's cinema to the global sphere of film history.
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