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Sexuality, iconography, and fiction ...

Hartford, Jason James.

Sexuality, iconography, and fiction in Frenchqueering the martyr /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Sexuality, iconography, and fiction in Frenchby Jason James Hartford.
其他題名:	queering the martyr /
作者:	Hartford, Jason James.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	xvii, 243 p. :ill., digital ;22 cm.
Contained By:	Springer eBooks
標題:	Homosexuality in literature.
電子資源:	http://dx.doi.org/10.1007/978-3-319-71903-0
ISBN:	9783319719030$q(electronic bk.)

Sexuality, iconography, and fiction in Frenchqueering the martyr /
Hartford, Jason James.

Sexuality, iconography, and fiction in Frenchqueering the martyr /[electronic resource] :by Jason James Hartford. - Cham :Springer International Publishing :2018. - xvii, 243 p. :ill., digital ;22 cm.

This book explores the modern cultural history of the queer martyr in France and Belgium. By analyzing how popular writers in French responded to Catholic doctrine and the tradition of St. Sebastian in art, Queering the Martyr shows how religious and secular symbols overlapped to produce not one, but two martyr-types: the queer type, typified first by Gustave Flaubert, which is a philosophical foil, and the gay type, popularized by Jean Genet but created by the Belgian Georges Eekhoud, which is a political and pornographic device. Grounded in feminist queer theory and working from a post-psychoanalytical point of view, the argument explores the potential and limits of these two figures, noting especially the persistence of misogyny in religious culture.

ISBN: 9783319719030$q(electronic bk.)

Standard No.: 10.1007/978-3-319-71903-0doiSubjects--Topical Terms:

178049
Homosexuality in literature.

LC Class. No.: PQ637.H65 / H37 2018

Dewey Class. No.: 843.009353

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520 $a This book explores the modern cultural history of the queer martyr in France and Belgium. By analyzing how popular writers in French responded to Catholic doctrine and the tradition of St. Sebastian in art, Queering the Martyr shows how religious and secular symbols overlapped to produce not one, but two martyr-types: the queer type, typified first by Gustave Flaubert, which is a philosophical foil, and the gay type, popularized by Jean Genet but created by the Belgian Georges Eekhoud, which is a political and pornographic device. Grounded in feminist queer theory and working from a post-psychoanalytical point of view, the argument explores the potential and limits of these two figures, noting especially the persistence of misogyny in religious culture.
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