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Japanese horror and the transnationa...
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Brown, Steven T.
Japanese horror and the transnational cinema of sensation
紀錄類型:
書目-電子資源 : Monograph/item
正題名/作者:
Japanese horror and the transnational cinema of sensationby Steven T. Brown.
作者:
Brown, Steven T.
出版者:
Cham :Springer International Publishing :2018.
面頁冊數:
xvi, 330 p. :ill., digital ;22 cm.
Contained By:
Springer eBooks
標題:
Horror filmsHistory and criticism.Japan
電子資源:
http://dx.doi.org/10.1007/978-3-319-70629-0
ISBN:
9783319706290$q(electronic bk.)
Japanese horror and the transnational cinema of sensation
Brown, Steven T.
Japanese horror and the transnational cinema of sensation
[electronic resource] /by Steven T. Brown. - Cham :Springer International Publishing :2018. - xvi, 330 p. :ill., digital ;22 cm. - East Asian popular culture. - East Asian popular culture..
1. Introduction -- 2. Ambient Horror: From Sonic Palimpsests to Haptic Sonority in the Cinema of Kurosawa Kiyoshi -- 3. Double Trouble: Doppelgangers in Japanese Horror -- 4. Cinema Fou: Surrealist Horror from Face of Another to Gozu -- 5. In the Wake of Artaud: Cinema of Cruelty in Audition and Oldboy -- 6. Conclusion: Envelopes of Fear: The Temporality of Japanese Horror.
Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror's slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations.
ISBN: 9783319706290$q(electronic bk.)
Standard No.: 10.1007/978-3-319-70629-0doiSubjects--Topical Terms:
481217
Horror films
--History and criticism.--Japan
LC Class. No.: PN1995.9.H6 / B68 2018
Dewey Class. No.: 791.4361640952
Japanese horror and the transnational cinema of sensation
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1. Introduction -- 2. Ambient Horror: From Sonic Palimpsests to Haptic Sonority in the Cinema of Kurosawa Kiyoshi -- 3. Double Trouble: Doppelgangers in Japanese Horror -- 4. Cinema Fou: Surrealist Horror from Face of Another to Gozu -- 5. In the Wake of Artaud: Cinema of Cruelty in Audition and Oldboy -- 6. Conclusion: Envelopes of Fear: The Temporality of Japanese Horror.
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Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror's slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations.
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