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The spectacle of politics and religi...

Diken, Ebru Thwaites.

The spectacle of politics and religion in the contemporary Turkish cinema

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	The spectacle of politics and religion in the contemporary Turkish cinemaby Ebru Thwaites Diken.
作者:	Diken, Ebru Thwaites.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	xii, 114 p. :ill., digital ;24 cm.
Contained By:	Springer eBooks
標題:	Motion pictures, TurkishHistory and criticism.
電子資源:	http://dx.doi.org/10.1007/978-3-319-71700-5
ISBN:	9783319717005$q(electronic bk.)

The spectacle of politics and religion in the contemporary Turkish cinema
Diken, Ebru Thwaites.

The spectacle of politics and religion in the contemporary Turkish cinema[electronic resource] /by Ebru Thwaites Diken. - Cham :Springer International Publishing :2018. - xii, 114 p. :ill., digital ;24 cm.

This book explores how politics, religion and cinema encounter and re-invent each other in contemporary Turkish cinema. It investigates their common origin-the spectacle, which each field views as an instrument of governmentality. The book analyses six recent internationally known Turkish films. Thwaites discusses how the cinematic nature of politics and religion unfold amidst the increasing media visibility of religion in contemporary Turkey. The chapters explore the relationship between art and religion, and compare religion and philosophy in their relation to truth, belief, and economy. Through close examination of these films, the author highlights the role of cinema in contemporary Turkey and at the heart of the religious paradigm.

ISBN: 9783319717005$q(electronic bk.)

Standard No.: 10.1007/978-3-319-71700-5doiSubjects--Topical Terms:

809928
Motion pictures, Turkish
--History and criticism.

LC Class. No.: PN1993.5.T8 / D55 2018

Dewey Class. No.: 791.4309561

The spectacle of politics and religion in the contemporary Turkish cinema
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520 $a This book explores how politics, religion and cinema encounter and re-invent each other in contemporary Turkish cinema. It investigates their common origin-the spectacle, which each field views as an instrument of governmentality. The book analyses six recent internationally known Turkish films. Thwaites discusses how the cinematic nature of politics and religion unfold amidst the increasing media visibility of religion in contemporary Turkey. The chapters explore the relationship between art and religion, and compare religion and philosophy in their relation to truth, belief, and economy. Through close examination of these films, the author highlights the role of cinema in contemporary Turkey and at the heart of the religious paradigm.
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