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Robert Lepage's scenographic dramatu...

Lepage, Robert, (1957-)

Robert Lepage's scenographic dramaturgythe aesthetic signature at work /

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Robert Lepage's scenographic dramaturgyby Melissa Poll.
其他題名:	the aesthetic signature at work /
作者:	Poll, Melissa.
出版者:	Cham :Springer International Publishing :2018.
面頁冊數:	xi, 199 p. :ill. (some col.), digital ;22 cm.
Contained By:	Springer eBooks
標題:	Stage management.
電子資源:	http://dx.doi.org/10.1007/978-3-319-73368-5
ISBN:	9783319733685$q(electronic bk.)

Robert Lepage's scenographic dramaturgythe aesthetic signature at work /
Poll, Melissa.

Robert Lepage's scenographic dramaturgythe aesthetic signature at work /[electronic resource] :by Melissa Poll. - Cham :Springer International Publishing :2018. - xi, 199 p. :ill. (some col.), digital ;22 cm. - Adaptation in theatre and performance. - Adaptation in theatre and performance..

1. Introduction -- 2. Scenographic Dramaturgy & Auteuring Adaptations -- 3. The Nightingale and Other Short Fables: Re-Authoring Atypical Opera -- 4. Making Music Visible: Robert Lepage Adapts Aspects of Siegfried Without Shifting a Word -- 5. Adapting 'Le Grand Will' in Wendake: Ex Machina and the Huron-Wendat Nation's La Tempete -- 6. Re-'Writing' The Dragons' Trilogy and Needles & Opium for the Twenty-First Century: Robert Lepage's Auto-Adaptations -- 7 Conclusion.

This book theorizes auteur Robert Lepage's scenography-based approach to adapting canonical texts. Lepage's technique is defined here as 'scenographic dramaturgy', a process and product that de-privileges dramatic text and relies instead on evocative, visual performance and intercultural collaboration to re-envision extant plays and operas. Following a detailed analysis of Lepage's adaptive process and its place in the continuum of scenic writing and auteur theatre, this book features four case studies charting the role of Lepage's scenographic dramaturgy in re-'writing' extant texts, including Shakespeare's Tempest on Huron-Wendat territory, Stravinsky's Nightingale in a twenty-seven ton pool, and Wagner's Ring cycle via the infamous, sixteen-million-dollar Metropolitan Opera production. The final case study offers the first interrogation of Lepage's twenty-first century 'auto-adaptations' of his own seminal texts, The Dragons' Trilogy and Needles & Opium. Though aimed at academic readers, this book will also appeal to practitioners given its focus on performance-making, adaptation and intercultural collaboration.

ISBN: 9783319733685$q(electronic bk.)

Standard No.: 10.1007/978-3-319-73368-5doiSubjects--Personal Names:

821193
Lepage, Robert,
1957-Subjects--Topical Terms:

465700
Stage management.

LC Class. No.: PN2085 / .P65 2018

Dewey Class. No.: 792.023

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505 0 $a 1. Introduction -- 2. Scenographic Dramaturgy & Auteuring Adaptations -- 3. The Nightingale and Other Short Fables: Re-Authoring Atypical Opera -- 4. Making Music Visible: Robert Lepage Adapts Aspects of Siegfried Without Shifting a Word -- 5. Adapting 'Le Grand Will' in Wendake: Ex Machina and the Huron-Wendat Nation's La Tempete -- 6. Re-'Writing' The Dragons' Trilogy and Needles & Opium for the Twenty-First Century: Robert Lepage's Auto-Adaptations -- 7 Conclusion.
520 $a This book theorizes auteur Robert Lepage's scenography-based approach to adapting canonical texts. Lepage's technique is defined here as 'scenographic dramaturgy', a process and product that de-privileges dramatic text and relies instead on evocative, visual performance and intercultural collaboration to re-envision extant plays and operas. Following a detailed analysis of Lepage's adaptive process and its place in the continuum of scenic writing and auteur theatre, this book features four case studies charting the role of Lepage's scenographic dramaturgy in re-'writing' extant texts, including Shakespeare's Tempest on Huron-Wendat territory, Stravinsky's Nightingale in a twenty-seven ton pool, and Wagner's Ring cycle via the infamous, sixteen-million-dollar Metropolitan Opera production. The final case study offers the first interrogation of Lepage's twenty-first century 'auto-adaptations' of his own seminal texts, The Dragons' Trilogy and Needles & Opium. Though aimed at academic readers, this book will also appeal to practitioners given its focus on performance-making, adaptation and intercultural collaboration.
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